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<h1>Yukun Xin</h1>
<p>Xin Yukun is a writer and editor graduated from Beijing Film Academy in 2008. His representative works are
Deep in the Heart and Wrath of Silence. Deep in the Heart is Xin’s directional debut. It won several prizes
internationally with its funny tangled narratives of three stories. A young man tries to get away from his
family's overwhelming power, but when he accidentally kills a local thug, his fate will be intricately linked
to his father's. A woman, who for years has been victim of domestic violence, finds comfort in the arms of her
ex-lover. The news of the death of her husband arrives as she was planning his murder. An honest village chief
plans to retire but an exceptional event related to his son will pull him into the abyss. See a trailer at:
https://youtu.be/tSwypOz2zfI In 2017, his film Wrath Of Silence, which tells a story in a northern village in
China, won the Best Actor Award and Best Film Award at International Film Festival & Awards Macao, and
Best New Sound Engineer and Best New Original Score at 2018 Chinese Young Generation Film Forum. In this film,
a mute father searches for his missing shepherd son when he becomes entangled into the dark story associated
with the local mineral mining business. See a subtitled trailer at: https://youtu.be/qU0SfHphyPc</p>
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<h1>Wen Muye</h1>
<p>Wen Muye is a director in Mainland China. He got his master's degree from Director Apartment of Beijing Film
Academy. In 2018, his film Dying to Survive became a big hit in China and won the Best Leading Actor, Best New
Director and Best Original Screenplay of the Golden Horse Award. Dying to survive is a 2018 Chinese
Comedy-Drama film about a drug smuggler Cheng Yong who bring a cheap drug from India. It raised the attention
to drug smuggle and patten protection of drugs. See a subtitled trailer at: https://youtu.be/DsidZCH9RC8</p>
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<h1>Hsin-yao Huang</h1>
<p>Hsin-yao Huang is a director and actor in Taipei. As a documentary director, he directed several
documentaries about Taiwan including Taivalu and Dai-Shui-Yun. He was the Executive Director of Taipei
Documentary Filmmakers’ Union. In 2017, he came up with his directional debut, the Great Buddha+, a dark
comedy, with which he won the top prize at the 19th Taipei Film Festival and received 10 nominations at the
54th Golden Horse Awards, winning Best Adapted Screenplay and Best New Director. The Great Buddha+ tells a
story that the night security guard at a Buddha statue factory along with his friend, a recyclables collector,
become entangled in a web of dark secrets after stumbling upon videos that document the promiscuous meetings
of the factory's wealthy owner. It portraits the contracted lives of two very different world in Taiwan. See a
subtitled trailer at: https://youtu.be/knIWg5ukHMA</p>
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<h1>Rana Mitter</h1>
<p>Professor Rana Mitter is a British historian and political scientist of Indian origin who specializes in the
history of republican China. He is Professor of the History and Politics of Modern China at the Department of
Politics and International Relations at Oxford University, Deutsche Bank Director of the Dickson Poon China
Centre, and a Fellow and Vice-Master of St Cross College. His 2013 book China’s War with Japan, 1937-1945: The
Struggle for Survival (titled Forgotten Ally: China’s War with Japan, 1937-45 for publication in the US),
about the Second Sino-Japanese War, was well received by critics.</p>
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<h1>Qiuchen Fang</h1>
<p>Mr Fang has worked in Ministry of Commerce (the then Ministry of Foreign Trade and Economic Cooperation) for
a long time and served as Vice Mayor of City Botou of Hebei Province, responsible for the social commodities
circulation. He has served successively as Researcher, Director, Deputy Director General of the Department of
Outward Investment and Economic Cooperation of the Ministry of Commerce (MOFCOM), Commercial Counsellor
(Deputy Director General) and Director-General of the Department of American and Oceanian Affairs of MOFCOM.
He has held diplomatic posts as Third Secretary of the Chinese Embassy in Nigeria, First Secretary in Brunei
Darussalam, Economic and Commercial Counsellor in Macedonia, and Minister Counsellor in Indonesia. Since April
2015, Mr. Fang took the position as Chairman of China International Contractor Association (CHINCA). CHINCA is
the national organization formed by Chinese international project contractors, investors, labor service
companies and related service providers, which used to be affiliated to MOFCOM. CHINCA has been awarded the
“National Advanced Social Association” and the highest level 5A in “National Industry Association Evaluation”
by China’s Ministry of Civil Affairs. CHINCA has more than 1,500 members, whose projects distributed in more
than 190 countries and regions around the world. In housing, electricity, petrochemical, communications and
other fields, a large number of projects have been implemented to benefit the local economic development,
social progress and improvement of people's livelihood. CHINCA actively serves member companies to participate
in the “Belt and Road” Initiative and infrastructure construction, including setting up platforms, promoting
exchanges, and undertaking the work as Secretariats of several bilateral CEO Forums; leading sustainable
development of companies, carrying out industry self-discipline and credit evaluation, and upgrading corporate
compliance awareness. The International Infrastructure Investment and Construction Forum (IIICF) annually held
in Macau is now highly influential in the world’s infrastructure industry.</p>
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<h1>Francis Ting Ming Lui</h1>
<p>Professor Francis Ting Ming Lui is a founding faculty member, Honorary Fellow, Adjunct Professor of Economics
and Professor Emeritus of the Hong Kong University of Science and Technology (HKUST) and Visiting Fellow at
the Centre for China in the World Economy (recently restructured as Academic Center for the Chinese Economic
Practice and Thinking (ACCEPT)) of Tsinghua University. He was awarded Justice of the Peace and Bronze
Bauhinia Star by HKSAR. He received his undergraduate and doctoral degrees from the University of Chicago and
University of Minnesota, respectively. Before retiring from HKUST, he was the head of the Economics
Department, Associate Dean of the Business School, Director of the Center for Economic Development and Member
of the University Court. He had also been a visiting professor of the National School of Development of Peking
University. He was tenured by the State University of New York in 1991. Professor Lui made important
contributions to the field of Economics. In particular, he researched the Chinese economy, economic growth
theory and economics of corruption, also touching on several issues pertaining to global economics. Thus, he
will offer his unique insights into China’s role in a globalized world economy. Professor Lui is a member of
the American Economic Association, Economic Society, Chinese Economist Society and a referee of 27
international professional economic journals. He has served the editorial board of the Pacific Economic
Review, China and World Affairs of Tsinghua University, and the Journal of Human Capital of the University of
Chicago Press. He has published numerous articles in leading international journals. He is the author/ editor
of 13 books, including Diagnosis of the Hong Kong Dollar Crisis. Professor Lui is not only knowledgeable, but
he also integrates theory with practice by participating in debates on Hong Kong public policy and shaping the
transformation of Hong Kong’s retirement protection system and currency system. He has served as a member of
more than ten consultative organizations of HKSAR Government, including the Long Term Housing Strategy
Committee, the Population Policy Steering Committee and the Long Term Fiscal Planning Working Group. He has
served as commentator of the Hong Kong Radio and Hong Kong Cable TV and member of the Consultative Committee
of Taiwan’s Mainland Affairs Council. He is currently a member of the Commission on Poverty Alleviation and
the Land Supply Task Force of the HKSAR government. The Hong Kong University of Science and Technology (HKUST)
is a dynamic, international research university, in relentless pursuit of excellence, leading the advance of
science, technology, business and humanities, and educating the new generation of front-runners for the world.
HKUST topped the Times Higher Education ranking for young universities of the world in 2018 and ranked 37 in
the QS ranking for global universities and second in the QS ranking for Hong Kong universities.</p>
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<h1>John Miu</h1>
<p>John Miu is the Vice President at ABP London. John was appointed in 2009 just as ABP began to seek global
development opportunities and he was immediately tasked with coordinating ABP London’s submissions through the
rigorous OJEU European procurement process and led the team in acquiring the Royal Albert Dock site in 2013.
Aside from his work at ABP, John is a successful entrepreneur and built his own notable tech business with
staff and offices in London and which has won multi million pound contracts from both private and public
sectors over the past 25 years. He has also established a business responsible for trade and investment
services between China and Europe.</p>
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<h1>Helena Wang</h1>
<p>Dr. Helena Hui Wang is the Asia Executive Editor of The Lancet. She is primarily responsible for setting up
The Lancet’s development strategy in China, and in Asia more broadly, reviewing manuscripts submitted by Asian
authors, and attracting top-ranked articles in those regions through strategic cooperation with top academics
and research institutions. In addition, Dr. Wang has been leading The Lancet special issues (especially
China-themed issue),organizing The Lancet Commissions, and holding important conferences—particularly The
Lancet-Chinese Academy of Medical Sciences Health Summit. She has also written and published many Editorials,
Comments, and one World Report in TheLancet. Apart from her regional work in China, Dr. Wang has participated
in relevant conferences globally on behalf of The Lancet, and delivered keynote speeches in important academic
conferences held in various countries and regions including, USA, UK, and South Korea. Dr. Wang is a Council
Member in the Committee on Publication Ethics (COPE), a membership organization with over 10000 members from
all academic fields, that provides guidance and counselling on research and publication ethics.</p>
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<h1>Yuanli Liu</h1>
<p>Dr. Yuanli Liu，with a Public Health and economics training background, has been serving as Professor of
Health Policy and Management and Dean of School of Public Health at the Chinese Academy of Medical Sciences
& Peking Union Medical College since 2013. From 1993 to 2013, Dr. Liu worked at Harvard School of Public
Health in the area of global health policy and practice. From 2005 to 2015, he served as the founding director
of Harvard China Health Initiative, responsible for organizing series of applied research studies, senior
executives education program and high-level dialogues. For the past two decades, Dr. Liu had been closely
involved in China's healthcare reform and development initiatives as a policy researcher and adviser. He also
serves as President of the Chinese Aging Well Association, Vice Chairman of the National Commission on Health
Promotion and Education. He has consulted for many international organizations including WHO, World Bank and
Fortune 500 companies.</p>
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<h1>Fujie Xu</h1>
<p>Prof Fujie Xu received her medical training from Peking University Health Science Center in Beijing and her
PhD study in Epidemiology from Emory University in Atlanta. Her public health career is primarily at the
Centers for Disease Control and Prevention (CDC) in Atlanta, United States, as an Epidemic Intelligence
Service (EIS) officer, also known as CDC’s disease detectives
(https://www.cdc.gov/eis/diseasedetectives.html). Prof Xu worked as a medical officer at the CDC until 2015,
where she led many field investigations and clinical research projects. During 2015-2017, she served as the
Director of Medical Affairs and Public Health, Asia & Pacific Region, for a biopharmaceutical company
specializing in antiviral therapies Gilead Sciences Inc. In 2017, Dr. Xu was appointed as a professor of
infectious disease epidemiology via a national recruitment program, and she has been working at Zhejiang
University in Hangzhou, China. Her research interests include the prevention of HIV, sexually transmitted
diseases, and emerging infections, the evaluation of vaccines, and the elimination of viral hepatitis.</p>
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<h1>Zhengming Chen</h1>
<p>Professor Zhengming Chen was qualified in medicine at Shanghai Medical University in 1983, and gained his
DPhil in Epidemiology at the University of Oxford in 1992. He was appointed as Reader in Epidemiology in 1998
and Professor of Epidemiology in 2006 by the University of Oxford. He is now based at the Oxford University’s
Nuffield Department of Population Health and also acts the co-executive director of the China Oxford Centre
for International Population Health Research in Beijing. His main researches focus on the environmental and
genetic causes of non-communicable chronic disease (such as heart disease, stroke, diabetes and cancer),
evidence-based medicine and efficient strategies for disease control in developing countries. Over the past 20
years, he has led several large randomised trials in heart disease (46,000 patients), stroke (20,000 patients)
and cancer (15,000 patients), leading to major changes in international guidelines. In 2002, he initiated the
prospective China Kadoorie Biobank (CKB) study of 0.5 million people and has been the lead principal
investigator of CKB ever since. He leads a research team of ~40 people in Oxford, with substantial expertise
in population health, statistics, genomics and big data science. He has published >320 peer-reviewed papers
and also sits on various research committees. He is an honorary professor of Peking Union Medical College and
Fudan University in China.</p>
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<h1>Lijia Zhang</h1>
<p>Lijia Zhang is a factory-worker-turned writer, social commentator and public speaker. One of the few Chinese
who write regularly in English for international publications, her articles have appeared in The Guardian, The
South China Morning Post, Newsweek and The New York Times. She is the author of the critically acclaimed
memoir “Socialism Is Great!” about her rocket factory experience and her debut novel Lotus, on prostitution in
contemporary China, was published by Macmillan and was featured by BBC radio’s World Book Club. She is a
recipient of the prestigious fellowship in the International Writer’s Program at the University of Iowa. Lijia
has lectured at many conferences, institutions and universities around the world, including Asia EU Economic
Forum, European Institute for Asian Studies, The University of Sydney, Harvard, Columbia, Stanford and New
York University. She is a regular speaker on the BBC, Channel 4, CNN and NPR. She divides her time between
London and Beijing.</p>
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<h1>Anna Gustafsson Chen</h1>
<p>Dr Anna Gustafsson Chen is a Swedish translator of Chinese literature. She has translated a number of Chinese
authors, including Mo Yan 莫言, Jia Pingwa 贾平凹, Yan Lianke 阎连科, Yu Hua 余华, Liu Zhenyun 刘震云, Chi Zijian 迟子建 and
Chen Ran 陈染. For several years, she was a member of the board of the translators’ section of the Swedish
Writers’ Union. She has also worked for ten years at the International Library in Stockholm, in charge of the
Chinese collection.</p>
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<h1>Xiaoning Lu</h1>
<p>Xiaoning Lu is Lecturer in Modern Chinese Culture and Language at SOAS, University of London, where she
teaches modern Chinese literature and Chinese-language cinemas. She received her master’s degree in modern
Chinese literature from Fudan University, China and her PhD in comparative literature from Stony Brook
University, USA. She has published a range of topics in modern Chinese culture in leading international
journals including Wenyi yanjiu (Literature and Art Studies), Journal of Contemporary China, and Journal of
Chinese Cinemas. Her monograph on Chinese cinema and socialist modernity is forthcoming with Brill. Currently
she is co-editing The Oxford Handbook of Communist Visual Cultures with Aga Skrodzka and Katarzyna Marciniak
and working on a Leverhulme-funded project on transnational film practices in socialist China. Since 2015 she
has been co-curating Chinese Art Film Festival London Showcase.</p>
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<h1>Keyi Sheng</h1>
<p>Ms Sheng was born in Hunan, and later migrated to Shenzhen and Beijing. Her works include the novels Northern
Girls, Death Fugue and Barbaric Growth, and the latest Womb and The Metaphor Detox Centre. Her work has been
translated into more than ten languages, including English, French and German. She has won several prizes in
China and worldwide. Northern Girls, published in English by Penguin in 2012, was longlisted for the Man Asian
Literary Prize. Death Fugue, banned for publication in China, was first published in English by Giramondo in
2014 and is a political allegory that “recalls Aldous Huxley’s Brave New World,” according to the New York
Times. Her works depict the real lives of China’s poor, the survival of its women, and situations revolving
around the human spirit, written in a language that is violent, enthusiastic, and experimental.</p>
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<h1>Zexiang Li</h1>
<p>Prof Li Zexiang, chairman of DJI and a pioneer of robotics in China, will join the Technology Panel (Is China
the next technology leader?) in OCF 2019. Prof Li is a professor at the Electronic & Computer Engineering
Department of HKUST, and the director of the Automation Technology Center. Before that, he received his BS
degree from CMU, MA from UCB, PhD from MIT and worked as an assistant professor from NYU. But apart from being
a successful academic, he sees the value to turn academic finding into reality. He co-founded several robotic
companies with his students, including Googol Tech, DJI, QKM Tech and ePropulsion and Songshan Lake Xbot Park
(A robotic startup facility). The most remarkable among them is DJI, occupying 70% of the world market for
consumer drones.</p>
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<h1>Dahai Li</h1>
<p>Li Dahai, CTO of Zhihu, will join the technology panel (Is China the next technology leader?) in OCF 2019.
Zhihu is one of the earliest Chinese question-and-answer website. Li joined the team in 2015 as a partner. He
has been in charge on the advertisement, data and algorithm sector. In 2016, Li started an “intellectual
community” project driven by the power of AI, which improves the quality and atmosphere of the community.</p>
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<h1>Bo Liu</h1>
<p>Liu Bo, CEO and the Managing Partner of TusStar (Beijing) Investment & Management Co., Ltd. TusStar
(Beijing) have currently invested over 2 billion RMB into a wide range of technological innovation enterprises
from seed stage to growth stage. Backed by Tsinghua University, TusStar has the best expertise and facilities
to support a tech start-up to realise its full potential. Coming from a background of management, Mrs Liu has
extensive experiences in finance and business. Mrs Liu's interested areas of investment ranges from TMT,
healthcare to energy conservation. Mrs Liu has hold several personal awards, including the recent 'Top 15 in
Forbes 2018 China's Best Female Venture Capitalist'.</p>
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<h1>Professor Alan Barrell</h1>
<p>Alan has worked in Health Care and Medical Research, as Chairman and Chief Executive of large multinational
companies and smaller technology start-ups. He teaches in Universities in UK, Europe, North America and Asia
with Professorships in European and Chinese Universities. He has raised and managed a Venture Capital Fund, is
a Business Angel Investor and Trustee of charities. He has been honoured with The Queen’s Award for Enterprise
Promotion in the UK and with membership as Knight First Class of the Order of the White Rose of Finland for
services to Education. His current work is focussed heavily on the commercialisation of research, technology
start-ups and the development of UK-China Trade and Relationships including cross-continental investment.
Promoting the vision of “A World Without Borders”, Alan works actively with the Shanghai Government, Hong Kong
Management Association and numbers of overseas business and academic organisations to commission world class
executive education programmes.</p>
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<h1>Yi Ding</h1>
<p>Ding Yi, the prominent abstract artist, will join OCF 2019 in the Art Panel. Ding Yi has been making abstract
paintings called Appearance of Crosses, using crosses and grids since the late 1980s. The cross, whether a +
or an x with thematic variation, is a motif that the artist has declared a formal mark without meaning, in
order to emphasise his rationalist approach against the political language and allegories implied in the
society. The context of Ding’s work has always been the incredibly fast-paced development of the industrial
urban environment in post-socialist China. His works are rich in texture and colour, depicting the features of
his hometown, the metropolitan Shanghai. Ding’s practice encompasses painting, sculpture, spatial installation
and architecture. They have been exhibited worldwide including the 1993 Venice Binnale, and held in private
and public collections like the Centre Pompidou, Paris.</p>
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<p>Lorenz Helbling, the founder of ShanghART Gallery, was born in Switzerland and studied history, sinology and
art history at the University of Zurich and at Fudan University in Shanghai. In 1996 he established ShanghART
Gallery in Shanghai, one of the first independent galleries for contemporary art in China. For the past twenty
years, ShanghART has been devoted to the development of contemporary art in China and also kept close and
long-term cooperation with more than 60 artists. ShanghART now has branches in Shanghai, Beijing and Singapore
and regularly participates in major international art fairs. Shanghart Research For the last 20 years,
ShanghART has been a pioneering force in the world of contemporary art in Shanghai. During this time the
gallery has accumulated a vast archive of materials related to the development of the gallery’s artists, the
Shanghai art scene, and the larger networks of contemporary art in China and the world. This unique archive is
available to the public for the first time at ShanghART’s recently opened gallery space in the West Bund
cultural corridor. Functioning as a library, a bookstore, and research centre, the ShanghART Archive makes
available a vast quantity of documentary evidence from an explosive period in the development of Chinese
contemporary culture. ShangART Videotheque, established in 2008, holds nearly 600 contemporary video artworks
and regularly hold salons and screen-shows. Located at the Shanghai West Bund, ShanghART Library opens the
collections of all the art books, which have been collected since the founding of ShanghART Gallery, to the
public.</p>
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<p>Miao Ying is a cutting-edge artist based in Shanghai and New York, best known for her projects around the
Chinese internet and online culture inside the Great Firewall. Her work highlights the attempts to discuss
mainstream technology and contemporary consciousness and its impact on people's daily lives, along with the
new modes of politics, aesthetics and consciousness created during the representation of reality through
technology. She graduated in 2007 with a Bachelor in Fine Arts degree from the China Academy of Art's New
Media Art department in Hangzhou, China, and earned a Master in Fine Arts degree in Electronic Integrated Arts
from Alfred State College's School of Art and Design in 2009.</p>
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<p>Ms Qian Zhuang, the founder and CEO of KnowYourself, will join the Feminism Panel (Feminism's Challenges in
China: Chinese ‘Rural’ Feminism in the Digital Age) of OCF 2019. Qian Zhuang holds a BA in Sociology from
Peking University, and an MA in Clinical Mental Health from Colombia University, and the National secondary
qualification of psychological counseling. She is the founder and CEO of KnowYorself. She is also a member of
National Association of Social Workers (NASW) in US. KnowYourself is a renowned platform in China that offers
products and service about psychology. It is dedicated to providing professional insights to bring more
abundant lives and healthier mental states for young people. Its own media KnowYourself, the largest platform
in psychology field in China, has attracted more than 6 million users, more than 70% of which are women. It
focuses on the inside world of well-educated young people in the metropolis and helps them get a better
understanding of their own families, relationships and careers.</p>
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<p>Professor Harriet Evans, from Contemporary China Center and Institute for Modern and Contemporary Culture in
the University of Westminster, a Visiting Professor in LSE, will join the Feminism Panel (Feminism's
Challenges in China: Chinese ‘Rural’ Feminism in the Digital Age) of OCF 2019. Professor Harriet Evans has
written extensively on the politics of gender and sexuality in China, and on political posters and visual
culture of the Mao era. She has contributed many articles to leading journals and edited volumes, has curated
exhibitions of poster art of the Mao era, and is a regular consultant for non-governmental agencies on women,
gender and human rights in China. She was appointed Professor Emerita in March 2017 and is Visiting Professor
in Anthropology at the LSE. She is Chair of Trustees to the London-based NGO, The Rights Practice, and works
with lawyers representing women seeking asylum in the UK. Evans taught modern Chinese history in Mexico
between 1979 and 1984. Formerly Head of the University of Westminster's Chinese Section, she founded and
directed the Contemporary China Centre (2009-14) one major emphasis of which was the interdisciplinary
critical study of gender and sexuality in China. She coordinated the University's Asian Studies research
programme between 2000 and 2010, including the MA and MPhil/PhD programmes in Contemporary Chinese Cultural
Studies and International Studies. She finished a Leverhulme Trust funded 3-year research project on
‘Conflicts in Culture: Localities and Heritage in Southwest China’ in late 2017. She was President of the
British Association for Chinese Studies (2002-5), served on the Executive Committee of the Universities' China
Committee in London (2000-2006), and was member of the Executive Committee of The China Quarterly (2008-2017).
She also conducted outreach work with Camden primary schools to introduce year six students to Chinese society
in a global world (2004-2007). Evans’ main publications include Women and Sexuality in China: Discourses of
Female Sexuality and Gender since 1949 (Polity Press, 1997), Picturing Power in the People's Republic of
China: Posters of the Cultural Revolution (co-edited with Stephanie Donald, Rowman and Littlefield, 1999), and
The Subject of Gender: Daughters and Mothers in Urban China (Rowman and Littlefield, 2007) Her Beijing from
Below: an oral history of everyday life since the 1950s in a poor neighbourhood of central Beijing, is in
press with Duke University Press.</p>
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<p>Professor Rebecca E. Karl, from New York University, will join the Feminism Panel (Feminism's Challenges in
China: Chinese ‘Rural’ Feminism in the Digital Age) of OCF 2019. Rebecca E. Karl is a professor of history at
New York University. Having spent many years in China since 1980, she is an expert in China’s modern history.
Her work to date has explored the intersections of Chinese intellectual-cultural history, global change, and
conceptual histories so as to understand the ways in which China’s violent integration into the global
capitalist world system of economics, culture, and society transformed China and the world from the
late-nineteenth century onwards. She also is a committed translator of historical and contemporary Chinese
intellectual work into English. One of her most famous publication is Mao Zedong and China in the
Twentieth-Century World: A Concise History (Duke 2010). She situates Mao and the revolution in a global
setting informed by imperialism, decolonization, and third worldism, and discusses worldwide trends in
politics, the economy, military power, and territorial sovereignty. The book was translated and published in
mainland China in 2013 and received popular acclaim among Chinese readers. In co-editing The Birth of Chinese
Feminism: Essential Texts in Transnational Theory (with L. Liu and D. Ko, Columbia 2013), she introduces to an
English-language audience the little-known anarchist-feminist from early-20th century China, He-Yin Zhen,
through a systematic translation of her major essays and a thorough analysis of her vital theorization of
feminism for China's and the world's modern age. Her current project, generously funded by Institute for New
Economic Thinking (INET), continues exploring Chinese intellectual-cultural history and focuses on the
twentieth-century economic philosopher and translator, Wang Yanan, and the worlds of economic thinking in
1930s-1950s China. She is also the author of: Staging the World: Chinese Nationalism at the Turn of the
Twentieth Century(Duke 2002; translated into Chinese, 2008); The Magic of Concepts: Essays on Philosophy,
Economics and Culture in Twentieth-Century China (2016). She is co-translator of: Cai Xiang, Revolution and
Its Narratives: Chinese Socialist Cultural Imaginaries, 1949-1966 (with Xueping Zhong; Duke, forthcoming
2016); and co-editor of: The 1898 Reforms: Cultural and Political Change in China (with Peter Zarrow; Harvard
East Asian Monographs, 2002); and of Marxism Beyond Marxism (with S. Makdisi and C. Casarino; Routledge,
1997).</p>
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<h1>Hongwei Bao</h1>
<p>Hongwei Bao, Assistant Professor in Media Studies at the University of Nottingham, will join the Feminism
Panel (Feminism's Challenges in China: Chinese ‘Rural’ Feminism in the Digital Age) of OCF 2019. Dr Hongwei
Bao is Assistant Professor in Media Studies at the University of Nottingham, where he also co-directs the
Centre for Contemporary East Asian Cultural Studies (CEACS). He is also a member of the Institute for Screen
Industries Research (ISIR) and Centre for Critical Theory (CCI) at Nottingham. Prior to Nottingham he taught
at Nottingham Trent University, University of Potsdam, University of Sydney, and the National Academy of
Chinese Theatrical Arts, Beijing. He obtained his PhD in Gender and Cultural Studies from the University of
Sydney in 2011. He was DAAD Fellow at the Free University of Berlin and British Academy Visiting Fellow at
Goldsmiths College, the University of London. His research primarily focuses on gay identity, queer activism,
independent documentary and alternative media production in contemporary China. He is the author of Queer
Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (2018) and co-editor of Queer/Tongzhi
China: Perspectives into Research, Activism and Media Cultures (2015). He has published articles on gay
identity and queer filmmaking in academic journals including Cultural Studies, Culture Unbound, Global Media
and China, Health, Culture and Society, Interventions, and The JOMEC journal. He is currently working on a
book on queer cultural production in contemporary China.</p>
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<p>Zhang Ming is a researcher, doctoral supervisor, director of the International Investment Research Office of the Institute of World Economics and Politics at the Chinese Academy of Social Sciences, and chief researcher of the Chinese Academy of Social Sciences' Innovation Project, 'Cross-border Investment Strategy Research in the Global Turbulent Era'. Zhang was previously a KPMG auditor, private equity fund manager of Asset Managers, and chief economist of Ping An Securities. He was also a member of the Industrial Economic Analysis Expert Advisory Committee of the Ministry of Industry and Information Technology, Senior Advisor of the International Economic Relations Department of the Ministry of Finance, member of the Expert Committee of the Chinese Council for the Promotion of International Trade, visiting expert at the China Economic Prosperity Monitoring Center of the National Bureau of Statistics, Securities Analyst, Investment Consultant and Chief Economics of the China Securities Industry Association Member of the National Committee, Deputy Secretary-General of China World Economic Association, Director of China Chief Economist Forum.</p>
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<p>Liu Shengjun is the Director of Guoshi Financial Reform Research Institute, founder of Liu Shengjun Micro Finance, Expert at the Premier's Symposium, author of The Next Decade, Distinguished professor at Longma College in Central University of Finance and Economics, Honored expert of Hangzhou Bay Think Tank, Expert of Henan Zhongde Intelligent Industry Research Institute, Xinhua Researcher of the China Fortune Research Institute, Distinguished Expert of the Shandong Zaozhuang Municipal Party School and Municipal Cadre Management School, co-founder of the Lujiazui Forum, council member of World Economic Forum 2012-2014 Global Agenda Council (China area), former Executive Vice-President of the CEIBS Lujiazui International Financial Research Institute, council member of the first Lujiazui Financial City Council, council member of Shanghai Consumer Dispute Mediation Center for finance, columnist of FT China, Caixin.com, and Wall Street Journal.</p>
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<p>Yuan Qifeng is Professor and PhD supervisor at the School of Architecture, South China University of Technology, professor-level senior planner, national registered planner, member of the Standing Council and the Academic Working Committee of the Chinese Urban Planning Society,and deputy chairman of the Rural Planning and Construction Academic Committee, member of the Environmental Art Professional Committee of the Guangdong Civil and Architectural Society, member of the Science and Technology Committee of the Shanghai Housing and Urban-Rural Construction Committee, Wuhan Wangjiadun CBD Planning Consulting Committee member, member of Guangzhou City and Foshan City Urban Planning Committee, Foshan City and Huizhou City Government Decision Consulting Expert. He is good at decision-making, research-oriented urban development strategic planning, and large-scale urban design. He has long commited to urban and regional development research, urban renewal and land system research, affordable community and urban housing system research.</p>
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<p>Wang Xiaoyang is PhD in Economic Geography from Oxford University, visiting scholar in the Department of Urban Planning and Design at Harvard University. He is currently the chief researcher of the Global City Laboratory (New York) and his main research areas are international financial centers, metropolitan areas and megalopolises. He once worked in the Venue Management Department of the Beijing Olympic Organizing Committee, the Shanghai Municipal Government Development Research Center, and the Chinese Studies Center of the University of Hong Kong. He has published many articles in SSCI and CSSCI journals.
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<p>Zhang Shaoting is Vice President of SenseTime Institute of Technology, Vice President of Shangtang Group, and Vice President of Qingyuan Institute of Shanghai Jiaotong University. He received bachelor, master and doctorate degrees in computer science from Zhejiang University, Shanghai Jiaotong University and the State University of New Jersey. He used to serve as a lifelong associate professor in the Department of Computer Science at the University of North Carolina at Charlotte, research and development architect and director of Baidu's Deep Learning Lab (IDL). He joined SenseTime in 2018. During his time in the industry, he was instrumental in pushing forward research breakthroughs in smart health, product implementation, business transformation, and upstream and downstream investment layout. He also helped SenseTime achieve a series of successes, including the team’s nearly 200 patents, ten software works, several NMPA and CE certifications, and the implementation and result transformation of nearly a hundred medical institutions.
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<p>Zheng Yufen is founder and President of Yueyin Venture Capital, "Top Ten Venture Capital Figures in China for Healthcare", Co-Chairman of "Nobel Prize China", Evaluation Expert in the Biomedical Field of the Ministry of Science and Technology, and Entrepreneurship Mentor of Tsinghua University. In 2007, she began to engage in venture capital in the medical industry in China, focusing on the medical and health field. Prior to the founding of Yueyin Venture Capital, she served as the medical investment director of Qiming Venture Capital and the chief medical partner of Zero2IPO Capital. She has completed investments in nearly 50 companies with a cumulative transaction amount of nearly 3 billion yuan. An alumna of Tsinghua University and MIT, Zheng has a Bachelor's Degree in Bioengineering and a Masters of Management; she is currently a doctoral candidate at Johns Hopkins University in the United States.
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<p>Kenneth Chung is Director of Parkway (Shanghai) Hospital Management Co., Ltd. and the executive president of East China. Now he manages 1 hospital and 6 medical centers in Shanghai, with a total of 400 employees and annual revenue of more than 300 million yuan. A newly opened hospital with 25 beds, 3 operating rooms and a total investment of more than RMB 100 million in the center of Huangpu District, Shanghai in December 2019 provides good employment opportunities for foreign and local talents in Shanghai.
Parkway Medical, led by Dr. Zhong Zijian, participated in a number of international community events in Shanghai and is the preferred medical service provider for many major consulates and multinational companies. It was rated as the most popular medical service provider by TimeOut Shanghai magazine and Bon App in 2018 and 2019.
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<p>Xiao Yonghong, Deputy Director, Professor, Chief Physician, and Doctoral Tutor of the State Key Laboratory of Infectious Disease Diagnosis and Treatment, the First Hospital of Zhejiang University School of Medicine. He has long engaged in clinical and research work on infectious diseases, antibacterial drugs, bacterial resistance, clinical pharmacology, and rational use of drugs. He is Founder of the National Bacterial Drug Resistance Surveillance Network of the Ministry of Health, member of the Ministry of Health Expert Committee on Rational Use of Medicines, deputy leader of the antibacterial drug group, consultants for WHO and WPRO drug resistance; International Chemotherapy Association, Asia Pacific Anti-infective Chemotherapy Society, Global Chinese Society for Clinical Microbiology Director, Vice Chairman of the Hospital Infection Control Branch of the Chinese Preventive Medicine Association, member of the Standing Committee of the Infection Branch of the Chinese Medical Association, member of the Standing Committee of the Infection Branch of the Chinese Medical Doctor Association, and members of more than 10 other academic associations including the Antibiotic Professional Committee of Chinese Pharmaceutical Association.
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<p>Xie Fei is a Chinese fourth-generation film director, screenwriter, and producer. He was the former deputy dean of Beijing Film Academy, a director of the China Film Association, and a member of the jury of the Berlin International Film Festival and the Montreal International Film Festival. He is known for works such as 'A Girl From Hunan', 'Black Snow', 'Woman Sesame Oil Maker', 'A Mongolian Tale', and 'Song of Tibet"'. He was awarded the Silver Bear at the 40th Berlin International Film Festival, Gold Bear at the 43rd Berlin International Film Festival, Best Director at the 19th Montreal International Film Festival, in addition to other awards. He is currently the honorary chairman of FIRST Youth Film Festival.
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<p>As the founder of FIRST Film Festival, Song has always been committed to cross-regional international curatorial projects for Chinese films, as well as broadcasting films by Chinese youth to an international audience. He founded FIRST Festival 14 years ago. <br /> Youth Film Festival is a platform to promote low-cost films and discover young film talents. Various sections at FIRST showcase the different stages of film creation, effectively linking a new generation of Chinese filmmakers with the industry as well as promoting the vigorous development of Chinese film culture. <br />As a director, Song Wen's first feature film, 'The Mystery of Arrival', was selected for the 'Window of Asian Cinema' section at the 23rd Busan International Film Festival.
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<p>Zhou Shengwei is a digital artist, Bachelor of Arts and Master of Drama and Film from the School of Art, Peking University. He was a lecturer at the Artist's Studio of Peking University's School of Art and the final judge of the 22nd Shanghai International Film Festival Short Video Unit. His best-known work SHe won more than 30 international honors, including nomination for the Golden Goblet Award for Best Animated Feature Film at the 21th Shanghai International Film Festival; SHe is officially collected by the Shanghai How Art Museum. Art Is Dead won the 14th FIRST Youth Film Festival's 'Spirit of Freedom' award.
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<p>Liang Junjian is an associate professor, doctoral supervisor in the School of Journalism and Communication of Tsinghua University, and former visiting scholar in the Department of Anthropology, University of South Carolina (2015-2016). His main fields of research include film and television communication, film and television art, and film and television anthropology. His documentary 2008 Era was shortlisted at the Amsterdam International Film Festival that year; A Piece of Rice Paper, an anthropological documentary he co-directed, won the 2014 Guangxi International Ethnographic Film Festival Main Screening Unit Nomination Award, and he was also co-director of the documentary Himalayan Ladder, which was awarded the 2015 Excellent Feature Film Award from the Domestic Documentary and Creative Talent Support Project by The State Administration of Press, Publication, Radio, Film and Television. His works have been awarded the 2015 Beijing Cultural Excellence Project, the Tibet Autonomous Region Cultural Excellence Project, the 2015 Guangzhou Music Film Festival Most Popular Recording Film Award, the 2015 China Phonographic Film Academy Award Best Photography Award, the 2015 People's Daily Annual Five Best Films, the 2016 College Student Film Festival Best Documentary Award, and received nomination for the 2017 Golden Rooster and Hundred Flowers Film Festival's Best Documentary Film Award.
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<p>Chengshi is PhD in Economics, Chief Economist and Managing Director of ICBC International. He has won the honorary title of "2019-2020 National Top Ten Financial Craftsmen", National Financial May 1st Labor Medal, Golden Goat Award, 2019 CBN Chief Economist of the Year, First Prize of China National Defense Economics Outstanding Achievement Award and other professional awards. He also serves as a director of the China Chief Economist Forum, a visiting professor at the Shenzhen Institute of Advanced Finance of the Chinese University of Hong Kong, an academic committee member of the Pangu Think Tank, a tutor for a master's degree in finance at the Chinese University of Hong Kong, Renmin University of China and Zhejiang University. He also has a column in CBN and other top medias in finance.
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<p>Guan Qingyou is Dean and Chief Economist of Rushi Institute of Financial Research; Professor of the School of Economics of Hainan University, Distinguished Professor of City University of Macau; Vice President of the China Private Economy Research Association. He has served as Vice President and Dean of Research Institute of Minsheng Securities. At present, he also serves as an academic committee member of the International Monetary Institute of Renmin University of China, as well as chief economist of both the Zhongguancun Equity Investment Association and the Guangdong Venture Capital Association.
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<p>Zheng Zhibin is a PhD and professor-level senior engineer; Chief Architect of Huawei's Global Smart City; Executive Vice Chairman of the Digital China Research Institute of the National Development and Reform Commission. He has long been engaged in research in smart cities, mobile communications, cloud computing, big data, artificial intelligence, network security and other fields. He has more than 150 invention patents and won second place for national technology invention and five first places in provincial and ministerial scientific and technological progress awards. He now serves as the Executive Vice Chairman of the Digital China Research Institute of the National Development and Reform Commission, a member of the Guangdong Provincial Digital Government Reform and Construction Expert Group, a member of the Shenzhen "Digital Government" Construction Expert Committee, a member of the Shandong Provincial E-government and Big Data Expert Advisory Committee, and a development consultant for the Inner Mongolia Autonomous Region Government Committee member, vice chairman of China Cyberspace Security Association, special researcher of China Smart City Development Research Center, etc.
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<p>Zhu Pingfang is Ph.D. in Economics, Secretary of the Party Committee and Dean of the Graduate School of the Shanghai Academy of Social Sciences, researcher, professor, doctoral supervisor, and director of the Center for Quantitative Economics Research. He serves as the chief expert and director of the Shanghai Soft Science Research Base-Shanghai Science and Technology Statistics and Analysis Research Center. He is mainly engaged in quantitative economic theory and method application, economic growth and technological innovation, scientific and technological statistics and analysis, economic situation analysis and forecasting. He has published more than 40 papers in the prestigious academic journals of economics, quantitative economics and statistics at home and abroad, "Economic Research", "Quantitative Economics and Technical Economic Research", "Statistical Research" and "Journal of Business and Economic Statistics" (SSCI), "China Economic Review" (SSCI), "Economic Letters" (SSCI), etc., among which many papers published in "Economic Research" have been widely cited.
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<p>Huang Ronghuai is Professor at Beijing Normal University and Yangtze River Scholar. He is mainly engaged in research in the fields of smart learning environments, artificial intelligence and education, educational technology, knowledge engineering, and innovative teaching models supported by technology. He is currently dean of the Smart Learning Institute at Beijing Normal University, director of the National Engineering Laboratory of Intelligent Technology and Application for Internet Education, and director of the UNESCO International Rural Education Research and Training Center. His courses and textbooks have been awarded titles such as National Excellent Courses, National Excellent Resource Sharing Courses, National Planning Textbooks, National Teaching Achievement Awards, Beijing Excellent Teaching Team, Beijing Famous Teacher, Beijing Excellent Teacher, etc. He has tackled more than 100 curriculum development topics at the national, provincial and ministerial levels, and has published nearly 400 academic papers and more than 40 books and magazines.
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<p>Jia Xiaoming is co-founder and CEO of Knowbox. A graduate of Ningxia University, Jia was the former vice president of Clever and Intel China's head of education industry. He has more than 20 years of experience in education and information technology.
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<h1>Cui Qingsong</h1>
<p>Cui Qingsong is Ph.D. in Education from East China Normal University and founder, Chairman and CEO of Shanghai Zhixue Education Technology.
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<h1>Wang Jianer</h1>
<p>Born in 1971, Wang holds an MBA from Hong Kong Polytechnic University. He is currently the Secretary of the Committee of the Communist Party of China Shanghai Film (Group) Co., Ltd. and Chairman of the Shanghai Film (Group) Co., Ltd.
He served as the director of the External Propaganda Office of the Hangzhou Municipal Committee of the Communist Party of China (Hangzhou Municipal People’s Government Information Office), the deputy director of the Hangzhou Municipal Party Committee’s Propaganda Department, the director of the Municipal Cyberspace Affairs Office, the party secretary of Wasu Digital Television Media Group Co., Ltd., chairman and Wasu Media Co., Ltd. (000156) Party Secretary and Chairman. From January 2018 to October 2019, he served as Deputy Secretary of the Party Committee and President of Shanghai Film (Group) Co., Ltd. Since October 2019, he has served as Secretary of the Party Committee and Chairman of Shanghai Film (Group) Co., Ltd. Since May 2020, he concurrently serve as Chairman of Shanghai Film Co., Ltd. (601595).
At the same time, he served as vice chairman of China Film Distribution Co., Ltd. and director of China Film Foundation.
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<h1>Wang Zhonglei</h1>
<p>Wang Zhonglei is Co-founder, Vice Chairman and CEO of Huayi Brothers Media Co., Ltd. Born in Beijing in 1970, he graduated from Beijing Youth University for Political Sciences. He founded Huayi Brothers with his brother Wang Zhongjun in 1994, began to take charge of Huayi's film and television business in 1998, and led the company to launch more than one hundred excellent films well-loved by audiences. The total box office of Huayi's main productions has exceeded 20 billion yuan. Guo's productions have topped box office charts for Chinese-language movies many times, and Huayi has become the number one brand for Chinese-language movies. It is now the industry's gold standard. In 2016, Guo shifted his focus to the overall operation of the company, and began to manage developing and connecting Huayi's multiple main business segments.
Wang Zhonglei is also the vice president of China Television Drama Production Industry Association, vice president of China Film Distribution and Exhibition Association, vice president of Young Film Workers Committee of China Film Association, and president of Hengdian Film and Television Industry Association.
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<p>Born in Nanchang, Jiangxi Province, Gao graduated from the Directing Department of Beijing Film Academy. He started his career as a director by directing his first TV series Days on the Sea, and later directed film and television works such as The Sky of History, Happiness as Flowers, Shanghai Bund, King's War, etc. He has won awards such as the Best Director Award at the 4th Macau International Television Festival and the 20th Military TV Drama Golden Star Award for Outstanding Contribution to TV Drama Creation.
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<p>Zhangjun is the chairman of Shanghai Canxing Film and Television Culture Co., Ltd., Zhang is known for lucid analysis into policy and cultural guiding trends for Chinese TV dramas. His production of the TV series Reading Class won two awards for screenwriting and production from the City of Shanghai's major literary and artistic project funds, and Dad is a Dragon, another one of his productions, won the TV Drama Honorary Nomination for 28th China TV Golden Eagle Award.
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<p>Fei Wo Si Cun is a writer, screenwriter, Vice Chairman of Hubei Writers' Association, president of Hubei Internet Writers' Association, member of Chinese Writers' Association, and Hubei Provincial Political Consultative Conference. She is known for works such as Goodbye, My Princess, Blue Love, and Sealed with a Kiss. She is the founder of Shuangjie Pictures. The television series Put Your Head on My Shoulder, which she produced, became both widely popular and critically acclaimed in 2019.
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<p>As senior TV producer and presenter of CCTV-6 Film Channel and founder of "The Golden Years" column, Pan has been deeply involved in film, television, media, and entertainment industries for more than 20 years. Currently he is producing the column 'The Best' to promote excellent films from around the world. In the past two years, he began to cross into other fields: for example, he published the book 'I, from Guangyuan', in which he interviewed outstanding domestic TV presenters; he is also filming, producing, and directing the documentary Actor, which will be in theatres in 2021. Actor will document and showcase the story of New China's first generation of filmmakers as they developed their own stylistic flairs. </p>
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<h1>Ban Ki-moon</h1>
<p>Ban Ki-moon, born 13 June 1944, is a South Korean politician and diplomat who served as the eighth Secretary-General of the United Nations from January 2007 to December 2016. Before becoming the Secretary-General, Ban was a career diplomat in South Korea's Ministry of Foreign Affairs and in the United Nations. He entered diplomatic service the year he graduated from university, accepting his first post in New Delhi, India.
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<p>Marco Lambertini became Director General of WWF International in April 2014, to drive the achievement of the global conservation organization’s critical mission to save life on Earth and to lead the secretariat team based in Gland, Switzerland.
With 35 years of conservation leadership, Marco Lambertini began his association with WWF as a youth volunteer growing up in his native Italy. Prior to joining WWF, he served as Chief Executive of BirdLife International. That role saw him broaden BirdLife’s global reach and relevance, and develop decentralized structures for most effective global conservation impact. He managed a highly decentralized secretariat, overseeing a global partnership of over 120 civil society organizations based in countries and territories in all continents.
Marco Lambertini has a degree in Pharmaceutical Chemistry from the University of Pisa, and has published books ranging from Safari in Africa (Muzzio) to A naturalist’s guide to the Tropics (Chicago University Press).
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<p>Xu Zhiyuan is a journalist and essayist, and one of the founders of One Way Space. He was previously a columnist for the Financial Times Chinese, and is well-known as the host of the Thirteen Guests interview program.
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<p>Wang Shu, Chinese architect and founder of Amateur Architecture Studio, has been just announced as the recipient of the 2012 Pritzker Prize.
The Pritzker Prize’s purpose is “to honor a living architect whose built work demonstrates a combination of those qualities of talent, vision, and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture”.
In my opinion Wang Shu’s architecture presents a contemporary and progressive approach that acknowledges the rich tradition of Chinese architecture. As the future generations of Chinese architects are influenced by his architecture, a generation that will be an active part of China’s growth, he will indirectly improve how millions will live in the next few years.
He calls his office Amateur Architecture Studio, but the work is that of a virtuoso in full command of the instruments of architecture — form, scale, material, space and light - Karen Stein, Pritzker Prize jury.
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<p>Wang Peiyu is a Chinese Peking opera singer-actress who plays old sheng roles. A winner of the Plum Blossom Award and the Magnolia Stage Award, Wang Peiyu is also known for her innovative efforts to popularize Peking opera among young people.
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<h1>Eugene Wang</h1>
<p>Eugene Y. Wang is the Abby Aldrich Rockefeller Professor of Asian Art. A Guggenheim Fellow (2005), he is the art history editor of the Encyclopedia of Buddhism (2004). His extensive publications range from early Chinese to contemporary art.
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<p>Singer, songwriter, producer, young flute player. As an independent musician, he promotes the beauty of traditional folk music in a way that young people love on the Internet, and is good at exploring and interpreting historical stories and myths through music.
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<h1>Biao Xiang</h1>
<p>Biao Xiang (BA and MA, Beijing University; PhD, Oxford University) is a Professor of Social Anthropology at Oxford University.
He is the author of The Intermediary Trap (Princeton University Press, forthcoming), Global Bodyshopping (Princeton University Press, 2007; winner of 2008 Anthony Leeds Prize; Chinese edition by Peking University Press, 2012), Transcending Boundaries (Chinese edition by Sanlian Press, 2000; English edition by Brill Academic Publishers, 2005), and Return: Nationalizing Transnational Mobility in Asia (co-edited with Brenda Yeoh and Mika Toyota, Duke University Press, 2013).
He has published more than 40 articles, including one awarded the 2012 William L. Holland Prize for outstanding article in Pacific Affairs.
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<h1>Guan Qingyou</h1>
<p>Guan Qingyou is Dean and Chief Economist of Rushi Institute of Financial Research; Professor of the School of Economics of Hainan University, Distinguished Professor of City University of Macau; Vice President of the China Private Economy Research Association. He has served as Vice President and Dean of Research Institute of Minsheng Securities. At present, he also serves as an academic committee member of the International Monetary Institute of Renmin University of China, as well as chief economist of both the Zhongguancun Equity Investment Association and the Guangdong Venture Capital Association.
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<h1>Liu Yunshan</h1>
<p>Professor of the School of Education of Peking University and associate professor of the School of Education. She has been deeply involved in related fields such as the principle of education, sociology of education, and the sociology of higher education for many years. Professor Liu also serves as the deputy director of the National Educational Sociology Professional Committee, and the executive director of the Education Branch of the Chinese Education Society.
Professor Yunshan Liu has been studying China's education reform for many years, and has made profound expositions in the evolution of school education and system conditions and social structure. In the article "Grade Points Are King", Professor Liu described the introductory dilemma faced by college students in a specific and appropriate manner. Based on years of educational experience and a deep understanding of students, the passive competition and exquisite self-interest described in the article have aroused widespread resonance among college teachers and students.
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<p>The documentary director of "A Way Out"；she has served as a jury member of many film festivals including the Leipzig International Documentary Festival in 2011. Since 2004, Director Zheng has worked with outstanding Chinese and foreign directors and production teams to shoot many masterpieces. She is also the founder and executive of the iDOCS International Documentary Forum, the first international professional documentary exchange platform in China to be officially recognized and centered on the dissemination of world-class documentaries.
In "A Way Out", Director Zheng Qiong uses a nuanced lens to focus on the differentiation of social classes, and uses a third-party perspective to show the influence of the gap between the rich and the poor on Chinese young people, and explores the spiritual way out.
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<h1>Henry Jenkins</h1>
<p>Henry Jenkins III (born June 4, 1958) is an American media scholar and Provost Professor of Communication, Journalism, and Cinematic Arts, a joint professorship at the University of Southern California (USC) Annenberg School for Communication and Journalism and the USC School of Cinematic Arts. He also has a joint faculty appointment with the USC Rossier School of Education.Previously, Jenkins was the Peter de Florez Professor of Humanities as well as co-founder and co-director (with William Uricchio) of the Comparative Media Studies program at the Massachusetts Institute of Technology (MIT). He has also served on the technical advisory board at ZeniMax Media, parent company of video game publisher Bethesda Softworks. In 2013, he was appointed to the board that selects the prestigious Peabody Award winners.
Jenkins has authored and co-authored over a dozen books including By Any Media Necessary: The New Youth Activism (2016), Spreadable Media: Creating Value and Meaning in a Networked Culture (2013), Convergence Culture: Where Old and New Media Collide (2006), Textual Poachers: Television Fans and Participatory Culture (1992), and What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic (1989).
Beyond his home country of the United States and the broader English-speaking world, the influence of Jenkins' work (especially his transmedia storytelling and participatory culture work) on media academics as well as practitioners has been notable, for example, across Europe as well as in Brazil and India.
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<h1>Zeng Yiguo</h1>
<p>Writer, professor, scholar, assistant to the dean of the Phoenix School of Communication, Soochow University, academic leader of the "Blue Project" in Jiangsu Province. He graduated from the History Department of Soochow University in 1998, and then studied at Soochow University and Nanjing University, where he received a Ph.D. degree; he entered Soochow University in 2004 until now, and he was promoted as a professor in 2012. In 2008, he entered the post-doctoral mobile station of Communication University of China. In 2011, he visited the University of Macau as a visiting scholar at the Faculty of Humanities, University of Macau.
Presided over 7 columns including "Critical Theoretical Research of Media Culture"; published more than 80 academic papers in journals such as "Literary Research", "International Journalism" and "Literary Review"; published "Mass Media and Urban Culture", Five books including "Spoofing Culture: Rebellion and Subversion"; twenty prose essays published in newspapers and magazines such as "Prose", "Yangtze Evening News", "Writer", "Yuhua", "Mei Wen", "China Social Science News" More than 10,000 words. Professor Zeng's prose works have won various awards, and some of them are included in high school and junior high school textbooks.
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<p>Teacher, well-known Weibo blogger, Ph.D. in Chinese Department of Peking University, lecturer at the School of Literature, Capital Normal University, mainly engaged in popular culture, new media culture and literary theory research; once in "Literary and Art Research", "Cultural Research", "Exploration and Debate" More than 40 articles have been published in academic journals such as "Cross-Cultural Dialogue".
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<p>Xu Miaomiao is a cultural research scholar and a researcher at the Aesthetic Education Research Center of Capital Normal University. Graduated from Beijing Normal University, she used to be an associate researcher of the Institute of Culture of Beijing Academy of Social Sciences, an associate director of the Capital Network Culture Development Center, and a researcher of the Aesthetic Education Research Center of Capital Normal University.
Xu Miaomiao’s main research directions are network culture, urban culture, media criticism, contemporary literature, etc. She has published a monograph "Internet Literature in the Perspective of Gender", and co-authored "Popular Culture Criticism" and "Deconstructing Film and Television Illusion" with others. And the relationship with literature, history, sex, fashion, and the Internet," "2005 Cultural China" and other works.
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<p>Mabel Lu MIAO , Co-founder, Vice President of CCG & Secretary General of CCG. Dr. Miao got her PhD degree on Contemporary Chinese Studies from Beijing Normal University and had been a visiting scholar at New York University and Harvard University. She has participated in a number of Chinese government’s and Social Science Foundation’s research projects and she has published many research papers and books. The latest new well known Chinese Blue Books she has authored and edited are: The Chinese Enterprises Globalization Report 2014/2015;The Chinese Overseas Students Development Report 2013/2014; The Chinese Overseas Returnees Development Report 2013/2014/2015; Chinese Overseas Professionals Report 2014; Chinese Enterprises Globalization Report 2014/2015;Chinese International Migration Report 2015; all published by China Social Science Academy Press, the most prestigious publishing house under China Social Science Academy. Her latest book also includes Global Think tanks, which is the best seller on the subject in China. In another capacity, Dr. Miao is a Deputy Director of International Writing Center of Beijing Normal University, where she assists Mo Yan, the Center Director and the Chinese Nobel Laureate in Literature.
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<h1>Huang Hongxiang</h1>
<p>Hongxiang Huang is a Chinese national and a Columbia University alumni. Since 2011, working with international organizations, he has been reporting and researching Chinese overseas business and social, environmental conflicts in Latin Americas, Africa and so on. Since 2014, he started China House (www.globalchinahouse.com) hoping to integrate China into global sustainable development through global citizenship education and youth engagement. He was featured in a Oscar-shortlisted film the Ivory Game as an undercovered ivory trade investigator and praised by Dr. Jane Goodall as "hero", after which they were featured together in one of the most influential TV programs in China called the Reader. Huang was also nominated by Forbes China as “30 Under 30” in the category of social entrepraunaur. Now his dream is to build “a Chinese non-governmental version of Peace Corps” and “a school of global citizenship in China”.
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<h1>Yao Songqiao</h1>
<p>Songqiao Yao is the founder of WildBound (www.wildbound.earth), an innovative sustainability and education venture that empowers sustainability leadership through expeditions, advocacy and creative expressions. Prior to founding Wildbound, Songqiao has gained her interdisciplinary and cross-cultural experience as a researcher, activist and entrepreneur working on global issues such as food, water and climate change. She has worked on China-EU, China-US projects on climate change and has consulted for agriculture and private sector development in West Africa.
Songqiao started actively campaigning on environmental justice and climate change as a researcher and youth delegate at UN climate change conferences in 2010. In 2012, she helped build the environmental NGO International Rivers’ China office and strengthened its program on river protection in China through extensive field research and policy publications, including /New Great Walls/ on China’s overseas investment and /The Last Report on China’s Rivers/, which affected change in water policy. Her ethnographic research along the Nu/Salween river has won a National Geographic Global Explorer grant. Songqiao has also founded two healthy food brands and has consulted for projects on agriculture and private sector development in Sierra Leone, Zimbabwe and Ethiopia.
Songqiao received her Mphil in Geography from Cambridge as a Gates Scholar, and her MBA from Oxford as the first ever Chinese Skoll Scholar. She graduated summa cum laude from Mount Holyoke College.
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<p>Zhang Jiaxuan is a senior student in the Global Environment Program in the School of Environment, Tsinghua University. Jiaxuan has enriched internship experiences in the field of climate change and energy transition in both the public and private sector. She is currently the student assistant at institute of Climate Change and Sustainable Development (ICCSD). Jiaxuan also plays an active part in organizing student activities. She once served as the Vice Chair of the Student Green Association in the university.
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<h1>Stuart Russell</h1>
<p>Stuart Jonathan Russell (born 1962) is an English computer scientist known for his contributions to artificial intelligence. He is a Professor of Computer Science at the University of California, Berkeley and Adjunct Professor of Neurological Surgery at the University of California, San Francisco. He holds the Smith-Zadeh Chair in Engineering at University of California, Berkeley.He founded and leads the Center for Human-Compatible Artificial Intelligence (CHAI) at UC Berkeley. Russell is the co-author of the most popular textbook in the field of artificial intelligence: Artificial Intelligence: A Modern Approach used in more than 1,400 universities in 128 countries.
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<p>Toby Walsh is a leading researcher in Artificial Intelligence. He is a Laureate Fellow and Scientia Professor of Artificial Intelligence in the School of Computer Science and Engineering at UNSW Sydney, and he also leads the Algorithmic Decision Theory group at CSIRO Data61. He was named by the Australian newspaper as a "rock star" of Australia's digital revolution. He has been elected a fellow of the Australian Academy of Science, a fellow of the ACM, the Association for the Advancement of Artificial Intelligence (AAAI) and of the European Association for Artificial Intelligence. He has won the prestigious Humboldt research award as well as the NSW Premier's Prize for Excellence in Engineering and ICT, and the ACP Research Excellence award. He has previously held research positions in England, Scotland, France, Germany, Italy, Ireland and Sweden. He has played a leading role at the UN and elsewhere on the campaign to ban lethal autonomous weapons (aka "killer robots").
Toby Walsh regularly appears in the media talking about the impact of AI and robotics on society. He is passionate that limits are placed on AI to ensure the public good such as with autonomous weapons. He has appeared on TV and radio stations on the ABC, BBC, Channel 7, Channel 9, Channel 10, CCTV, CNN, DW, NPR, RT, SBS, and VOA, as well as on numerous other radio stations and podcasts (a recent showreel). He also writes frequently for print and online media. His work has appeared in the New Scientist, American Scientist, Le Scienze, Cosmos, Technology Review, the New York Times, the Guardian, the Conversation and "The Best Writing in Mathematics". His twitter account has been voted one of the top ten to follow to keep abreast of developments in AI. He has given talks at public and trade events like CeBIT, the World Knowledge Forum, TEDx, New Scientist Live and writers festivals in Adelaide, Bendigo, Bhutan, Brisbane, Canberra, Geelong, Jaipur, Margaret River, Melbourne, Mumbai, Nagpur, Pune, Sydney and elsewhere. He has been profiled by the New York Times and the Brilliant, but was even more surprised (spelt embarrassed) to have an IMBD entry and to have been made the cover story of his old school magazine.
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<p>He Huaihong is a professor at the Department of Philosophy, Peking University, and is leading the Ethics group in the department. He obtained his doctoral degree from Renmin University. His researches mostly focus on Ethics (moral philosophy，伦理学) and Social History. Also, He has translated several Politics and Philosophy classics to Chinese which has prominent impact on the field of Ethics in China.
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<p>Rui Guo（Associate Professor of Law at Renmin University of China, researcher of RUC’s Institute of Law and Technology, and Director of Center for Social Responsibility and Governance). Dr. Rui Guo researches on corporate law, financial regulations, human rights, and the ethics of Artificial Intelligence. He graduated from CUPL law school (LL.B & LL.M) and Harvard Law School (LL.M & S.J.D). Dr. Rui Guo is a member of the Sub-Committee of Artificial Intelligence, National Standardization Committee of Information Technology, and is the Lead Expert for the Research Group on Ethics of Artificial Intelligence of the Artificial Intelligence Working Group, Standardization Administration of the People's Republic of China(SAC). He participated in the drafting of the first AI standardization white paper（published in 2018）, and led the drafting of AI Ethical Risk Research Report (published in May 2019 by Artificial Intelligence Working Group, SAC).
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<h1>Joe Wong</h1>
<p>Wong moved to Boston in 2001 and began to perform his comedy at All Asia Bar, at Stash's Comedy Jam. Although he had won numerous awards, he did not attract American nationwide attention until after his appearance on Late Show with David Letterman on April 17, 2009. His multiple appearances on TV, courtesy of Ellen DeGeneres, boosted his reputation further. On February 10, 2010, Wong made his second appearance on the Late Show, and appeared again on March 30, 2012. He returned to the Late Show with Stephen Colbert on December 14, 2018.
On St. Patrick’s Day, 2010, he headlined the annual dinner hosted by the Radio and Television Correspondents' Association. On June 19, 2010, he placed first in the Third Annual Great American Comedy Festival.
In 2013, he moved back to Beijing, hosting television shows, such as Is it true? (Chinese: 是真的吗?), a MythBusters-like program, on China Central Television.
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<p> Yuriko Kotani is a UK-based Japanese comedian.
She began performing stand-up in 2014. She was named as "One To Watch" by Time Out and won the BBC New Comedy Award in 2015.
In 2016, She appeared on series 2 of Russell Howard's Stand Up Central, BBC Three's Pls Like in 2017, CBBC's The Dog Ate My Homework in 2018 and Paul Hollywood Eats Japan on Channel 4 in 2020.
On radio, She was on The Comedy Club (BBC Radio 4 Extra) in 2016, BBC World Service's The Arts Hour International New Year Comedy Celebration in 2017, The Verb (BBC Radio 3) and Loose Ends (BBC Radio 4) in 2018.
She also worked with the Foreign & Commonwealth Office to make videos for Rugby World Cup 2019, detailing her top tips for fans travelling to Japan.
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<h1>Ben Target</h1>
<p>Ben Target is an award-winning comedian and critically-acclaimed artist whose work explores hope, play and togetherness. He has written and performed for Comedy Central, BBC3, Channel 4, All 4, BBC Radio 4 and Absolute Radio.
He won the national stand-up accolade, the Leicester Mercury Comedian of the Year, got nominated for the Edinburgh Comedy Award Best Newcomer, and as part of the adored cult collectives Weirdos Comedy and the Alternative Comedy Memorial Society has won once and been nominated twice for the Chortle Award for comedy innovation. In short: he is an utter delight.
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<p>Olga Koch does stand-up comedy onstage and creates cathartic performance art in the privacy of her own home. She has trained at the UCB Theatre in New York, as well as the Soho Theatre and the Free Association in London.
In 2018, she was nominated for Best Newcomer at the Edinburgh Comedy Awards for her debut hour, Fight. Fight was directed by Charlie Dinkin, produced by Berk's Nest and originally performed at Pleasance at the Edinburgh Fringe Festival.
In 2019, Olga performed her second solo Edinburgh Fringe show, If/Then, at Monkey Barrel. If/Then was also directed by Charlie Dinkin and also produced by Berk's Nest. Come see If/Then on tour in 2020! (please)
Olga has appeared on Mock The Week, The Now Show, Pls Like, The Blame Game, BBC Arts Hour & your little brother's dreams.
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<div class="tab-pane fade" id="2020" role="tabpanel" aria-labelledby="2020-tab">
<div id="accordion">
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<div class="card">
<div id="a" class="collapsed" data-toggle="collapse" data-target="#2020_1" aria-expanded="false"
aria-controls="2020_1">
<div class="card-header his-3" style="display:flex !important">
<div class="his-text" style="margin:auto 0;width:50%">
<h5>Keynote Session</h5>
<h4 style="font-size: 23px; color: #600807; font-weight: 600;">WANG JIANER</h4>
<h5>Chairman of Shanghai Film Group</h5>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image" src="assets/img/history/2020/WangJianer.png" alt=""
style="max-width:200px" />
</div>
</div>
</div>
<div id="2020_1" class="collapse" aria-labelledby="a" data-parent="#accordion">
<div class="card-body">
<p>COMING SOON</p>
</div>
</div>
</div>
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<div class="card">
<div id="b" class="collapsed" data-toggle="collapse" data-target="#2020_2" aria-expanded="false"
aria-controls="2020_2">
<div class="card-header his-3" style="display:flex !important">
<div class="his-text" style="margin:auto 0;width:50%">
<h5>Keynote Speech</h5>
<h4 style="font-size: 23px; color: #600807; font-weight: 600;">WANG ZHONGLEI</h4>
<h5>Co-Founder and Vice-Chairman and CEO of Huayi Brothers Entertainment</h5>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image" src="assets/img/history/2020/WangZhonglei.png" alt=""
style="max-width:200px" />
</div>
</div>
</div>
<div id="2020_2" class="collapse" aria-labelledby="b" data-parent="#accordion">
<div class="card-body">
<p>COMING SOON</p>
</div>
</div>
</div>
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<div class="card">
<div id="c" class="collapsed" data-toggle="collapse" data-target="#2020_3" aria-expanded="false"
aria-controls="2020_3">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>ECONOMICS</h5>
<h4>Cooperation and rivalry: Coordinated development and opportunities in the new age of city clusters</h4>
<h5></h5>
</div>
<a href="#zm">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/ZhangMing.jpg" alt="" />
<div class="info-text">
<h3>ZHANG MING</h3>
</div>
</div>
</a>
<a href="#lsj">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/LiuShengjun.jpg" alt="" />
<div class="info-text">
<h3>LIU SHENGJUN</h3>
</div>
</div>
</a>
<a href="#yqf">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/YuanQifeng.jpg" alt="" />
<div class="info-text">
<h3>YUAN QIFENG</h3>
</div>
</div>
</a>
<a href="#wxy">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/WangXiaoyang.jpg" alt="" />
<div class="info-text">
<h3>WANG XIAOYANG</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2020_3" class="collapse" aria-labelledby="c" data-parent="#accordion">
<div class="card-body">
<p>With the development of informatization and economic globalization, city clusters have become the mainstream trend of global urbanization : the development of megalopolises has blurred city boundaries and increased the mobility of population and resources; however, it has also led to uneven development between cities, high degrees of industrial homogeneity, and internal friction.
Take the Guangdong-Hong Kong-Macao Great Bay Area, which has the most dynamic economy in China, as an example: the development of individual cities show a staggered distribution pattern with Guangzhou and Shenzhen in the lead. Under the policy of promoting sustainable urban development through the construction of megalopolises, how should cooperation and competition between cities be coordinated so that each city benefits from another's development? In the process of policy implementation, how can obstacles and resistant forces be overcome?</p>
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<div class="card">
<div id="d" class="collapsed" data-toggle="collapse" data-target="#2020_4" aria-expanded="false"
aria-controls="2020_4">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>HEALTH</h5>
<h4>Reforms and innovations: the future of Chinese medical and health service in an post-COVID era</h4>
<h5></h5>
</div>
<a href="#zst">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Zhang%20Shaoting.jpg" alt="" />
<div class="info-text">
<h3>ZHANG SHAOTING</h3>
</div>
</div>
</a>
<a href="#zyf">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Zheng%20Yufen.jpg" alt="" />
<div class="info-text">
<h3>ZHENG YUFEN</h3>
</div>
</div>
</a>
<a href="#kc">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Kenneth%20Chung.jpg" alt="" />
<div class="info-text">
<h3>KENNETH CHUNG</h3>
</div>
</div>
</a>
<a href="#xyh">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Xiao%20Yonghong.jpg" alt="" />
<div class="info-text">
<h3>XIAO YONGHONG</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2020_4" class="collapse" aria-labelledby="d" data-parent="#accordion">
<div class="card-body">
<p>Starting from the end of 2019, the new coronavirus created a tremendous challenge to China's medical system within three months. With more than ten thousand infections and thousands of deaths in China, this unprecedented disaster allowed us to witness medical staff's round-the-clock persistence and the difficulties faced by medical companies, but also exposed the inadequacy of the medical system.
Now that the domestic epidemic in China has passed its peak, how should we improve the existing medical system, enhance the capacities of local medical facilities, accelerate public health policy reform, and better respond to future challenges? In order to further empower the medical system with technology, what roles will private companies play in the future?</p>
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<div class="card">
<div id="e" class="collapsed" data-toggle="collapse" data-target="#2020_5" aria-expanded="false"
aria-controls="2020_5">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>FILM</h5>
<h4>Interaction and alienation: Contemporary Chinese art film's dilemmas and future</h4>
<h5></h5>
</div>
<a href="#xf">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/XieFei.jpg" alt="" />
<div class="info-text">
<h3>XIE FEI</h3>
</div>
</div>
</a>
<a href="#sw">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Songwen.jpg" alt="" />
<div class="info-text">
<h3>SONG WEN</h3>
</div>
</div>
</a>
<a href="#zsw">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Zhoushengwei.jpg" alt="" />
<div class="info-text">
<h3>ZHOU SHENGWEI</h3>
</div>
</div>
</a>
<a href="#ljj">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Liangjunjian.jpg" alt="" />
<div class="info-text">
<h3>LIANG JUNJIAN</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2020_5" class="collapse" aria-labelledby="e" data-parent="#accordion">
<div class="card-body">
<p>Throughout China's modernization process, the lifestyles, spiritual needs, and ideologies of Chinese audiences have undergone incredible changes. What impacts have changes in audience brought upon the screenwriting and formats of Chinese-language films? What kinds of transformations have the social functions of films gone through? What is the role of Chinese-language film in global culture? These are all topics worthy of consideration.
This film sub-forum will focus on the cultural trends of contemporary Chinese audiences, and attempt to interpret contemporary Chinese social, political and financial outlook through structures, characteristics, preferences, and tastes within audiences' cultural needs. At the same time, the film sub-forum will guide the audience's reverse thinking to analyze viewership of Chinese films, in order to re-evaluate Chinese contemporary culture from a Western perspective.</p>
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<div class="card">
<div id="f" class="collapsed" data-toggle="collapse" data-target="#2020_6" aria-expanded="false"
aria-controls="2020_6">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>NEW INFRASTRUCTURE</h5>
<h4>Shock and breakthroughs: Economic transformation brought by new digital infrastructure</h4>
<h5></h5>
</div>
<a href="#cs">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Chengshi.png" alt="" />
<div class="info-text">
<h3>CHENG SHI</h3>
</div>
</div>
</a>
<a href="#gqy">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Guanqingyou.jpg" alt="" />
<div class="info-text">
<h3>GUAN QINGYOU</h3>
</div>
</div>
</a>
<a href="#zzb">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Zhengzhibin.jpg" alt="" />
<div class="info-text">
<h3>ZHENG ZHIBIN</h3>
</div>
</div>
</a>
<a href="#ks">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Zhupingfang.jpg" alt="" />
<div class="info-text">
<h3>ZHU PINGFANG</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2020_6" class="collapse" aria-labelledby="f" data-parent="#accordion">
<div class="card-body">
<p>Due to complexities in the current global situation and adverse impacts of the pandemic on the domestic economy, the macroeconomic policies formulated by the central government is actively pursuing changes and projecting them into technology, domestic consumption, and finance. The government has repeatedly emphasizes the importance of accelerating progress for 'new infrastructure construction' projects such as artificial intelligence, 5G internet, cloud computing, and big data: by mid-2020, "new infrastructure" investments will reach 1 trillion yuan. This is not only the the current policy focal point for boosting short-term growth in light of the pandemic, but also the foundation for future economic construction and the driving force behind long-term economic development. It is estimated that in the next five years, the digital transformation brought about by 5G networks will drive 15.2 trillion yuan in economic growth, and the expansion of artificial intelligence technology will also drive the growth of related industries by 4 trillion yuan. What opportunities will new patterns in China's economic development bring to "new infrastructure"? In the face of global economic recession, how can “new infrastructure” construction, a term bound up in our current times, support the prosperity and development of China's economy and society in the next 20 years?
As the pioneer of digital transformation, digital technology will further empower the financial industry in aspects such as data intelligence. How will the financial industry benefit from the development of new infrastructure in all aspects? Under the great wave of economic digitization, how can the financial industry better grasp the opportunities brought by the "new infrastructure"? In the field of science and technology, the development of future cities will benefit from the technological achievements brought about by new infrastructure to realize the blueprint of smart cities. How should science and technology companies integrate technological innovation to create urban organic life, so that investment in "new infrastructure" can land in business scenarios and be used to build a better urban ecology?</p>
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<div class="card">
<div id="g" class="collapsed" data-toggle="collapse" data-target="#2020_7" aria-expanded="false"
aria-controls="2020_7">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>EDUCATION</h5>
<h4>Shock and evolution: Opportunities and challenges facing China's education sector</h4>
<h5></h5>
</div>
<a href="#hrh">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Huangronghuai.jpg" alt="" />
<div class="info-text">
<h3>HUANG RONGHUAI</h3>
</div>
</div>
</a>
<a href="#jxm">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Jiaxiaoming.jpg" alt="" />
<div class="info-text">
<h3>Dahai Li</h3>
</div>
</div>
</a>
<a href="#cqs">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Cuiqinsong.jpg"
alt="" />
<div class="info-text">
<h3>CUI QINSONG</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2020_7" class="collapse" aria-labelledby="g" data-parent="#accordion">
<div class="card-body">
<p>Since the Ministry of Education issued the "Education Informatization Development Plan 2011-2020" in 2012, the government has coordinated civil society forces to actively participate in educational informatization and industrialization, so that full use of information technology can be made to achieve sharing of high-quality educational resources, improve quality, and build a society founded in learning. From 2012 to 2018, China's education informatization expenditures increased from 117.9 billion yuan to 313.2 billion yuan, and the national primary and secondary internet access rate also increased from 25% to 96%. Not only that, the "Education Informatization 2.0 Action Plan" document issued by the Ministry of Education in 2018 further requires active promotion of "Internet+ Education" development, in order to build a society where all citizens have the capacity to study and access to education resources anywhere and anytime, founded in an internet-based, digital, intelligent, personalized, and lifelong education system.
In the past ten years, the country has continuously promoted the reform and development of modern digitalization, and the education sectors have also changed. At present, what challenges are still facing education informatization as a solution to uneven distribution of urban and rural educational resources? Can the "digital highway" constructed by 5G technology promote the application of AI, VR/AR and other technologies in the education field, so that China's education will develop in the direction of informatization and individualization? En route to future educational reform, how can companies and institutions grasp the trend of smart education, achieve cultural integration, and participate in the construction and optimization of an education system with Chinese characteristics?</p>
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<div class="card">
<div id="h" class="collapsed" data-toggle="collapse" data-target="#2020_8" aria-expanded="false"
aria-controls="2020_8">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>CULTURAL ENTERTAINMENT</h5>
<h4>Fusion and modification: the cultural entertainment industry's post-COVID blueprint</h4>
<h5></h5>
</div>
<a href="#wje">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Wangjianer.jpg" alt="" />
<div class="info-text">
<h3>WANG JIANER</h3>
</div>
</div>
</a>
<a href="#wzl">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Wangzhonglei.jpg" alt="" />
<div class="info-text">
<h3>WANG ZHONGLEI</h3>
</div>
</div>
</a>
<a href="#gxx">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Gaoxixi.jpg" alt="" />
<div class="info-text">
<h3>GAO XIXI</h3>
</div>
</div>
</a>
<a href="#zj">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Zhangjun.jpg" alt="" />
<div class="info-text">
<h3>ZHANG JUN</h3>
</div>
</div>
</a>
<a href="#fwsc">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Feiwo1.jpg" alt="" />
<div class="info-text">
<h3>FEI WO SI CUN<br>(PEN NAME)</h3>
</div>
</div>
</a>
<a href="#pyl">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/2020/Panyilin1.jpg" alt="" />
<div class="info-text">
<h3>PAN YILIN</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2020_8" class="collapse" aria-labelledby="h" data-parent="#accordion">
<div class="card-body">
<p>Since the outbreak of the pandemic, various industries have suffered heavy losses, and the cultural and entertainment industries have not escaped the shock: film and television companies have ceased operations, production crews have paused projects, variety shows have stopped filming, and large numbers of entertainment productions have been suspended.
As people return to creating and disseminating culture and entertainment after the pandemic's peak, the industry itself is also experiencing an awakening, marking an important turning point for investigating the lasting value of various textual products. In the face of fierce competition, many online video platforms are building intellectual property in depth, trying to create a new industry ecology more in line with users' needs; in the context of policy guidance and industry self-discipline, the trend of cheap absurdism (雷剧leiju) in popular TV has been curbed, and a large number of film and television creators hope to build deeper emotional connections with the audience, and stimulate thinking under the context of entertainment, so as to create high-quality content with both entertainment value and social significance. In the era of multimedia integration, practitioners are also constantly exploring new ways of dissemination with online and offline combinations.
The epidemic is accelerating structural adjustments and integrated developments in the entertainment industry. In the future, what will be the industry's layout? What expectations does the public have for the future of the entertainment industry? Will the entire entertainment industry enter a new normal?</p>
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<div id="i" class="collapsed" data-toggle="collapse" data-target="#2020_9" aria-expanded="false"
aria-controls="2020_9">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Feminism</h5>
<h4>Feminism's Challenges in China: Chinese 'Rural' Feminists in the Digital Age</h4>
<h5></h5>
</div>
<a href="#zq">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Zhuang Qian.jpg" alt="" />
<div class="info-text">
<h3>Zhuang Qian</h3>
</div>
</div>
</a>
<a href="#he">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Harriet Evans.jpg" alt="" />
<div class="info-text">
<h3>Harriet Evans</h3>
</div>
</div>
</a>
<a href="#rek">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Rebecca E. Karl.jpg" alt="" />
<div class="info-text">
<h3>Rebecca E. Karl</h3>
</div>
</div>
</a>
<a href="#hb">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Hongwei Bao.jpg" alt="" />
<div class="info-text">
<h3>Hongwei Bao</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2020_9" class="collapse" aria-labelledby="i" data-parent="#accordion">
<div class="card-body">
<p>The slogan ‘women hold up half the sky’ propagated by Chairman Maoundergirded the construction
of women in the Mao era and still lingers today in theimagination of socialism with Chinese
characteristics. In the digitalagewith the popularization of wechat public accounts that profit
fromcouchingwomen to “achieve their full potential”, netizens, patriarchy defendersand “real
feminists” alike, have constructed a new discourse of “Chineserural feminists中华田园女权” criticising
those who oscillate between utilizingfeminism and patriarchy in order to gain most material
benefits. Asarguedby Li Xiaojiang(2004), rather than situating Chinese feminism in
anantagonisticstance against the state and market, it shall be put within the contextof
development. <br /><br />However, how shall we understand Chinese feminism in themesh of
socialism, market economy and the digital age which augmentsconsumerism,self-construction, and
surveillance? From a micro perspective, we wishto understand the obstacles and struggles facing
women in China andlearnhow they tackle, mingle, subvert or perceive male-dominance.</p>
</div>
</div>
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</div>
</div>
<div class="tab-pane fade" id="2019" role="tabpanel" aria-labelledby="2019-tab">
<div id="accordion2">
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<div class="card">
<div id="a" class="collapsed" data-toggle="collapse" data-target="#2019_1" aria-expanded="false"
aria-controls="2019_1">
<div class="card-header his-3" style="display:flex !important">
<div class="his-text" style="margin:auto 0;width:50%">
<h5>Keynote Session</h5>
<h4>Professor Chas Bountra</h4>
<h5>Pro Vice-Chancellor, Innovation</h5>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image" src="assets/img/history/ChasBountra.jpg" alt=""
style="max-width:200px" />
</div>
</div>
</div>
<div id="2019_1" class="collapse" aria-labelledby="a" data-parent="#accordion">
<div class="card-body">
<p>Professor Bountra trained at King’s College London and the University of Edinburgh before
taking up a post-doctoral fellowship and college lectureship in Physiology at Oxford. He then
worked for 19 years in the pharmaceutical industry, where he was involved in the development of
candidate drugs for several diseases, including novel treatments for cancer chemotherapy and
Irritable Bowel Syndrome. <br /><br />He returned to Oxford as Professor of Translational
Medicine in the Nuffield Department of Clinical Medicine and as an Associate Member of the
Department of Pharmacology. Professor Bountra is currently working with nine pharmaceutical
companies, eight disease foundations and more than 100 academic labs to develop new drugs for a
range of common and rare diseases. <br /><br />Professor Bountra was previously Vice President
and Head of Biology at GlaxoSmithKline. He was involved in the identification of more than 40
clinical candidates for many gastro-intestinal, inflammatory and neuro-psychiatric diseases.
More than 20 of these molecules progressed into patient studies and more than five of these
delivered successful “Proof of Concept” data and progressed into late stage development. He was
involved in the launch and development of the first treatment for Irritable Bowel Syndrome
(Alosetron) and was the first to show that neurokinin NK1 antagonists are anti-emetic in
preclinical and clinical studies.</p>
</div>
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<div class="card">
<div id="b" class="collapsed" data-toggle="collapse" data-target="#2019_2" aria-expanded="false"
aria-controls="2019_2">
<div class="card-header his-3" style="display:flex !important">
<div class="his-text" style="margin:auto 0;width:50%">
<h5>Individual Speech</h5>
<h4>Leslie Liu</h4>
<h5>Vice President of JD.com</h5>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image" src="assets/img/history/LeslieLiu.jpg" alt=""
style="max-width:200px" />
</div>
</div>
</div>
<div id="2019_2" class="collapse" aria-labelledby="b" data-parent="#accordion">
<div class="card-body">
<p>Dr. Leslie Liu is the Corporate Vice President of JD.com, and Head of JD Cloud Ecosystem. He
joined JD Smart in 2014 where he served as VP of JD Smart and GM of smart enterprise division.
He incorporated technology into the business platform and started innovative services on JD
Cloud like EdTech, MedTech, MarTech, AloT. This new technology and business platform
incorporates the capabilities from both JD’s BUs and its partners, extending the business reach
of JD group. <br /><br />Dr Liu focuses on the applications of cloud services, with which he is
transforming the traditional industries. He works with industry partners to build JD+ ecosystem
through corporate-level collaboration, investment, joint ventures, and sponsoring joint events.
In 2018, he was awarded by Tencent Marketing Institute and Harvard Business Review the reward
for innovations in business models in "30 People of Innovation in China"
<br /><br />Before joining JD, Dr. Liu served at IBM GMU Research Headquarters in Shanghai and
Prior to that, at the IBM Thomas J. Watson Research Center in Yorktown Heights, New York, where
he managed a global portfolio and led several strategic initiatives on Big data and mobile
solutions. Dr. Liu is the author of nine patent applications and received the IBM Invention
Achievement Award in both 2010 and 2011. He graduated from the USC Viterbi School of Engineering
in 2007 with a Ph.D. in Computer Science.</p>
</div>
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<div class="card">
<div id="c" class="collapsed" data-toggle="collapse" data-target="#2019_3" aria-expanded="false"
aria-controls="2019_3">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Film</h5>
<h4>The Heavy Absurdity of Reality: Punk Of Contemporary Chinese Films</h4>
<h5></h5>
</div>
<a href="#yx">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Yukun Xin.jpg" alt="" />
<div class="info-text">
<h3>Yukun Xin</h3>
</div>
</div>
</a>
<a href="#mw">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Muye Wen.jpg" alt="" />
<div class="info-text">
<h3>Muye Wen</h3>
</div>
</div>
</a>
<a href="#hh">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Huang Hsin-yao.jpg" alt="" />
<div class="info-text">
<h3>Huang Hsin-yao</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2019_3" class="collapse" aria-labelledby="c" data-parent="#accordion">
<div class="card-body">
<p>---</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="d" class="collapsed" data-toggle="collapse" data-target="#2019_4" aria-expanded="false"
aria-controls="2019_4">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>International Relations</h5>
<h4>The Chinese Approach to Economic Globalisation</h4>
<h5></h5>
</div>
<a href="#rm">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Rana Mitter.jpg" alt="" />
<div class="info-text">
<h3>Rana Mitter</h3>
</div>
</div>
</a>
<a href="#qf">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Qiuchen Fang.jpg" alt="" />
<div class="info-text">
<h3>Qiuchen Fang</h3>
</div>
</div>
</a>
<a href="#ftml">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Francis Ting Ming Lui.jpg" alt="" />
<div class="info-text">
<h3>Francis Ting Ming Lui</h3>
</div>
</div>
</a>
<a href="#lm">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/John Miu.jpg" alt="" />
<div class="info-text">
<h3>John Miu</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2019_4" class="collapse" aria-labelledby="d" data-parent="#accordion">
<div class="card-body">
<p>Recent political events, such as the Sino-American trade war, demonstrate the rise of
anti-globalization sentiments against the backdrop of increasing global integration. As an
important actor in the international community and the champion of free trade and
multilateralism, China’s role in globalization has become a salient topic in the discourse of
international relations. <br /><br />With an exclusive focus on international economics, we are
dedicated to present a panel with international academics, a politician and a Chinese official
to discuss the Chinese approach to the issue of our time from different perspectives. We will
explore the roles of and relationship between protectionism and Chinese enterprises, as well as
the impacts of the Chinese approach on China and the region, such as the economic consequences
of the Belt and Road Initiative.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="e" class="collapsed" data-toggle="collapse" data-target="#2019_5" aria-expanded="false"
aria-controls="2019_5">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Public Health</h5>
<h4>Health for All: Achievements And Challenges</h4>
<h5></h5>
</div>
<a href="#hw">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Helena Wang.jpg" alt="" />
<div class="info-text">
<h3>Helena Wang</h3>
</div>
</div>
</a>
<a href="#yl">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Yuanli Liu.jpg" alt="" />
<div class="info-text">
<h3>Yuanli Liu</h3>
</div>
</div>
</a>
<a href="#fx">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Fujie Xu.jpg" alt="" />
<div class="info-text">
<h3>Fujie Xu</h3>
</div>
</div>
</a>
<a href="#zc">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Zhengming Chen.jpg" alt="" />
<div class="info-text">
<h3>Zhengming Chen</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2019_5" class="collapse" aria-labelledby="e" data-parent="#accordion">
<div class="card-body">
<p>Public health is one of the most conspicuous global challenges. As Constitution of WHO states,
“Health is a state of complete physical, mental and social well-being and not merely the absence
of disease or infirmity”. It is a primary concern to many developing countries as to how to
guarantee the physical and mental health of their populations while sustaining economic growth.
<br /><br />Public health in China regards the interests of nearly 1.4 billion population as
well as the nation’s sustainable development. Chinese government has been making continuous
efforts to deepen medical and health reforms and to promote departmental administrative
integration in such fields as population and health. Meanwhile, however, new public health
issues, such as hospice care, occupational diseases and poverty, and AIDS, constantly pose new
challenges to the public health system. Public health as a public good, we believe, demands
concerted collaboration among government, social organisations, and research institutions etc.
to achieve synthesis of both resources and policies. The Public Health Panel therefore invites
distinguished guests, who have contributed to public health development in their professional
capacity in different sectors, to exchange their understandings of medical and health reforms
and of prominent issues in public health in China.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="f" class="collapsed" data-toggle="collapse" data-target="#2019_6" aria-expanded="false"
aria-controls="2019_6">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Literature</h5>
<h4>Women and Chinese Literature Today</h4>
<h5></h5>
</div>
<a href="#lz">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Lijia Zhang.jpg" alt="" />
<div class="info-text">
<h3>Lijia Zhang</h3>
</div>
</div>
</a>
<a href="#agc">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Anna Gustafsson Chen.jpg" alt="" />
<div class="info-text">
<h3>Anna Gustafsson Chen</h3>
</div>
</div>
</a>
<a href="#xl">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Xiaoning Lu.jpg" alt="" />
<div class="info-text">
<h3>Xiaoning Lu</h3>
</div>
</div>
</a>
<a href="#ks">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Keyi Sheng.jpg" alt="" />
<div class="info-text">
<h3>Keyi Sheng</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2019_6" class="collapse" aria-labelledby="f" data-parent="#accordion">
<div class="card-body">
<p>Thanks to the continuous efforts of translators and academic facilitators, contemporary Chinese
literature has gradually grown to be one of the major forces in world literature today. As the
publishing industries continue to thrive in multiple Chinese-speaking societies, the variety of
literary outputs has developed at an exponential rate, and the success of this expansion has
been testified in recent years by the numerous international literary prizes awarded to Chinese
writers and their translators. However, the male intellectual tradition from the Republican era
still holds strongly in the contemporary Chinese literary scene and women’s issues and voices
are often sidelined or given tokenistic treatment. <br /><br />With these challenges in mind,
our literature panel this year presents to you four excellent cultural workers from different
backgrounds, including fiction, academia, journalism, and translation. In their works or
experiences, women’s welfare and representation have always been some of the major concerns, and
together they will discuss how gender affects the development of Chinese literature, especially
in the years to come.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="g" class="collapsed" data-toggle="collapse" data-target="#2019_7" aria-expanded="false"
aria-controls="2019_7">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Technology</h5>
<h4>Is China the next technology leader?</h4>
<h5></h5>
</div>
<a href="#zl">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Zexiang Li.jpg" alt="" />
<div class="info-text">
<h3>Zexiang Li</h3>
</div>
</div>
</a>
<a href="#dl">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Dahai Li.jpg" alt="" />
<div class="info-text">
<h3>Dahai Li</h3>
</div>
</div>
</a>
<a href="#bl">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Bo Liu.jpg" alt="" />
<div class="info-text">
<h3>Bo Liu</h3>
</div>
</div>
</a>
<a href="#pab">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Professor Alan Barrell.jpg"
alt="" />
<div class="info-text">
<h3>Professor Alan Barrell</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2019_7" class="collapse" aria-labelledby="g" data-parent="#accordion">
<div class="card-body">
<p>Just a mere decade ago, the thought that China could even come close to the technological
forefront would seem outlandish. Not anymore. Home to two world-class tech giants Tencent and
Alibaba, equipped with the world’s largest online payments market, and as the only country to
record a double-digit growth in patent applications as well as accounting for 20% of total world
R&D expenditure, China’s sudden technological rise has left the world in awe. What has
caused such a dramatic transformation? Are there any potential pitfalls in China’s continued
growth? And finally, is China on its way to becoming the next tech leader? <br /><br />Through
engaging Chinese and Western tech entrepreneurs, alongside policy researchers and scholars in a
round table discussion, this panel aims to shed light on the past and future of China’s path to
technological dominance.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="h" class="collapsed" data-toggle="collapse" data-target="#2019_8" aria-expanded="false"
aria-controls="2019_8">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Art</h5>
<h4>Dissolving the Boundaries in Contemporary Art in the Global Art Sharing Era</h4>
<h5></h5>
</div>
<a href="#yd">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Yi Ding.jpg" alt="" />
<div class="info-text">
<h3>Yi Ding</h3>
</div>
</div>
</a>
<a href="#lh">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Lorenz Helbling.jpg" alt="" />
<div class="info-text">
<h3>Lorenz Helbling</h3>
</div>
</div>
</a>
<a href="#ym">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Ying Miao.jpg" alt="" />
<div class="info-text">
<h3>Ying Miao</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2019_8" class="collapse" aria-labelledby="h" data-parent="#accordion">
<div class="card-body">
<p>Today, the rapid development of technology and the internet become increasingly influential in
the field of art. The large amount of data and information broaden horizons, injecting new
possibilities into artistic creation and diversifying the ways in which we engage with art,
indicating infinite potentialities for the future. The distinguished guests on the art panel
will share their lived experiences in the internationalization of art, across the geographical,
institutional, and cultural boundaries. <br /><br />Through this forum, we can discuss ideas and
engage in an exploration of contemporary Chinese art on the international stage; the shifting
roles for art practitioners in reaction to rapid changes and developments in the art world; the
diversification of conceptual and artistic expressions for art of the future.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="i" class="collapsed" data-toggle="collapse" data-target="#2019_9" aria-expanded="false"
aria-controls="2019_9">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Feminism</h5>
<h4>Feminism's Challenges in China: Chinese 'Rural' Feminists in the Digital Age</h4>
<h5></h5>
</div>
<a href="#zq">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Zhuang Qian.jpg" alt="" />
<div class="info-text">
<h3>Zhuang Qian</h3>
</div>
</div>
</a>
<a href="#he">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Harriet Evans.jpg" alt="" />
<div class="info-text">
<h3>Harriet Evans</h3>
</div>
</div>
</a>
<a href="#rek">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Rebecca E. Karl.jpg" alt="" />
<div class="info-text">
<h3>Rebecca E. Karl</h3>
</div>
</div>
</a>
<a href="#hb">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Hongwei Bao.jpg" alt="" />
<div class="info-text">
<h3>Hongwei Bao</h3>
</div>
</div>
</a>
</div>
</div>
<div id="2019_9" class="collapse" aria-labelledby="i" data-parent="#accordion">
<div class="card-body">
<p>The slogan ‘women hold up half the sky’ propagated by Chairman Maoundergirded the construction
of women in the Mao era and still lingers today in theimagination of socialism with Chinese
characteristics. In the digitalagewith the popularization of wechat public accounts that profit
fromcouchingwomen to “achieve their full potential”, netizens, patriarchy defendersand “real
feminists” alike, have constructed a new discourse of “Chineserural feminists中华田园女权” criticising
those who oscillate between utilizingfeminism and patriarchy in order to gain most material
benefits. Asarguedby Li Xiaojiang(2004), rather than situating Chinese feminism in
anantagonisticstance against the state and market, it shall be put within the contextof
development. <br /><br />However, how shall we understand Chinese feminism in themesh of
socialism, market economy and the digital age which augmentsconsumerism,self-construction, and
surveillance? From a micro perspective, we wishto understand the obstacles and struggles facing
women in China andlearnhow they tackle, mingle, subvert or perceive male-dominance.</p>
</div>
</div>
</div>
<!--End-->
</div>
</div>
<div class="tab-pane fade" id="2018" role="tabpanel" aria-labelledby="2018-tab">
<div id="accordion3">
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed" data-toggle="collapse" data-target="#2018_1"
aria-expanded="false" aria-controls="2018_1">
<div class="card-header his-3" style="display:flex !important">
<div class="his-text" style="margin:auto 0;width:50%">
<h5>Keynote Session</h5>
<h4>XU XIAO-PING</h4>
<h5>Founding Partner of ZhenFund (真格基金)</h5>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image" src="assets/img/history/Xiaoping Xu.jpg" alt="" />
</div>
</div>
</div>
<div id="2018_1" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>Mr. Xu Xiao-Ping is the Founding Partner of ZhenFund (真格基金)，a leading earlystage fund which has
been ranked first in “Top 30 Early-stage Firms of the Year” by Zero2IPO Group for 4 consecutive
years. He is known as one of China’s pioneering angel investors. Prior to founding ZhenFund, Mr.
Xu was a Co-Founder of New Oriental Education & Technology Group (NYSE: EDU), the largest
provider of private education in China. <br /><br />The Founder Magazine named Mr. Xu as “2010
Most Respected Angel Investor” and “2013 Best Angel Investor”. He was also named “2014 Best
Angel Investor” by CV Source and given the “2014 Chinese Business Leaders Award” by Phoenix TV.
Forbes Magazine listed Mr. Xu as one of China’s “Top 100 Celebrities” in 2004. <br /><br />Mr.
Xu has a bachelor’s degree from China Central Conservatory of Music and holds a Ma s ter degree
from University of Saskatchewan, Canada. He is currently the President of China Angel Club,
China’s top angel investor organisation, President of China Angel Committee by CSRC (China
Securities Regulatory Committee).</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed" data-toggle="collapse" data-target="#2018_2"
aria-expanded="false" aria-controls="2018_2">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>INTERNATIONAL RELATIONS</h5>
<h4>A Community with a Shared Future: Connecting China and Europe</h4>
<h5></h5>
</div>
<div class="his-image_div">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/SUZANNE XIAO YANG.jpg" alt="" />
<div class="info-text">
<h3>SUZANNE XIAO YANG</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/MICHAEL LIU.jpg" alt="" />
<div class="info-text">
<h3>MICHAEL LIU</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/Rana Mitter.jpg" alt="" />
<div class="info-text">
<h3>Rana Mitter</h3>
</div>
</div>
</div>
</div>
</div>
<div id="2018_2" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>Globalisation faces mounting pressure from all sides. The US used to champion the idea of a
global village but now pursues an “American First” approach under the Trump administration. The
world today is witnessing insufficient drive for economic growth, a widening wealth gap and the
spread of nonconventional security threats like terrorism, and cybercrime. These challenges
require global solutions. <br /><br />It is widely believed that China has become the most
important advocate and practitioner of globalisation in the world. The phrase "building a
community with a shared future for mankind" is a concept constantly mentioned by Chinese
President Xi Jinping both at home and abroad. In 2017, it was written in the report of the 19th
CCP party congress and became part of the guideline for Chinese diplomacy. The Belt and Road
Initiative is one way of putting the concept into practice. President Xi believes that the
initiative will become a significant platform for countries concerned to realise their common
development through cooperation. <br /><br />How should we interpret the concept of
"building a community with a shared future for mankind”? To what extent will the concept
influence Sino-European relations? How will Sino-European relation develop in the context of
transnational crises in Europe?</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed" data-toggle="collapse" data-target="#2018_3"
aria-expanded="false" aria-controls="2018_3">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>PHILOSOPHY</h5>
<h4>A Confucian China for the Future?</h4>
<h5></h5>
</div>
<div class="his-image_div">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/BAI TONGDONG.jpg" alt="" />
<div class="info-text">
<h3>BAI TONGDONG</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/XU TING.jpg" alt="" />
<div class="info-text">
<h3>XU TING</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/NICHOLAS BUNNIN.jpg" alt="" />
<div class="info-text">
<h3>NICHOLAS BUNNIN</h3>
</div>
</div>
</div>
</div>
</div>
<div id="2018_3" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>The modern history of China is marked by strenuous efforts on the part of Chinese intellectuals
to recover a strong and prosperous China out of poverty and corruption. One of the central
questions in the debate is how to deal with the legacy of Confucianism. In their confrontation
with the West, the Chinese indeed tried a wide range of social experiments including Qing
China’s ‘Eastern Ways, Western Technologies’ and Mao’s Great Leap Forward and Culture
Revolution, which brought about devastating effects on Chinese society. <br /><br />After four
decades of reform, China is still struggling to accommodate and learn from Confucianism, a
living legacy that has, over hundreds of years, seen China’s ups and downs. Confucian moral
values continue to shape the hurly-burly of daily life in China and the ideal of finding a
benevolent leader governing the country still hovers around Chinese politics. Confucianism,
however, also needs to confront many challenges issuing from the modern era—the challenges of
the rule of law, of democracy and of human rights. <br /><br />What varieties of Confucianism
can we render intelligible in the contemporary Chinese context? And what can China learn from
the social and political experience of the pan-Confucian world such as South Korea, Taiwan and
Singapore? In addressing these questions, the philosophy panel will deliver insights from top
political theorists and Confucian philosophers in the world today.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed" data-toggle="collapse" data-target="#2018_4"
aria-expanded="false" aria-controls="2018_4">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>RURAL CHINA</h5>
<h4>Rural Chinese Society: The Future of the Next Generation”</h4>
<h5></h5>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/LIU SHOUYING.jpg" alt="" />
<div class="info-text">
<h3>LIU SHOUYING</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/SUN LI.jpg" alt="" />
<div class="info-text">
<h3>SUN LI</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/DUNCAN HEWITT.jpg" alt="" />
<div class="info-text">
<h3>DUNCAN HEWITT</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/ANNA LORA-WAINWRIGHT.jpg" alt="" />
<div class="info-text">
<h3>ANNA LORA-WAINWRIGHT</h3>
</div>
</div>
</div>
</div>
<div id="2018_4" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>This year, the Rural China Panel will focus on the topic “Rural Chinese Society: The Future of
the Next Generation”. We would like to explore how urbanisation and modernisation have affected
the diminishing rural population and what challenges the new generation of rural China faces. We
have always believed that the discussion on rural Chinese society should be a significant theme
in the narrative of modern China. On the one hand, rural Chinese society is a link to the past
Chinese traditions and culture. On the other hand, rural China is also the source of potential
problems and change. <br /><br />Following the open-up of the Chinese economy and the
marketisation in late 1980s, various social issues surge forward. Urban migration, aged
population in the countryside, education for children in rural China, transportation safety are
all imminent problems waiting to be solved. The future developmental path of rural China will
crucially influence a number of socio-political concerns, such as urban-rural inequality,
political freedom, democratic elections, etc. Bearing all these in mind, we hope that through
our panel discussion we are able to find a way which can lead rural Chinese society to a
prosperous future.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed " data-toggle="collapse" data-target="#2018_5"
aria-expanded="false" aria-controls="2018_5">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>LITERATURE</h5>
<h4>Lost in Translation? Literature and Media</h4>
<h5></h5>
</div>
<div class="his-image_div">
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/XIA PENG.jpg" alt="" />
<div class="info-text5">
<h3>XIA PENG</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/LI ANG.jpg" alt="" />
<div class="info-text5">
<h3>LI ANG</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/NICKY HARMAN.jpg" alt="" />
<div class="info-text5">
<h3>NICKY HARMAN</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/FENG TANG.jpg" alt="" />
<div class="info-text5">
<h3>FENG TANG</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/GELING YAN.jpg" alt="" />
<div class="info-text5">
<h3>YAN GELING</h3>
</div>
</div>
</div>
</div>
</div>
<div id="2018_5" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>For the first time in Oxford China Forum’s history, we are offering a literature panel. China’s
literature today face unique challenges. The proliferation of new social media platforms
combined with the old censorship regime invites the question of how we can build and sustain
literary high culture in China. Globalising Chinese literature is oftentimes barred by
difficulties in achieving precise and elegant translation. <br /><br />Is accessibility for the
audience overseas a concern for Chinese writers in their writing today? Are media adaptations of
literature distracting or attracting the audience in terms of sustained interest in quality
reading? How relevant are topics in identity politics in today's China? Is the country really at
the forefront of the postmodern marketisation of culture? We invite you to explore these
questions with our distinguished guests from the academia and literature related industries.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed" data-toggle="collapse" data-target="#2018_6"
aria-expanded="false" aria-controls="2018_6">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>Art & Culture</h5>
<h4>Perceptions of Art and Culture in China</h4>
<h5></h5>
</div>
<div class="his-image_div">
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/WANG TIANYOU.jpg" alt="" />
<div class="info-text5">
<h3>WANG TIANYOU</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/JIANG SHANQING.jpg" alt="" />
<div class="info-text5">
<h3>JIANG SHANQING</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/TAI XIANGZHOU.jpg" alt="" />
<div class="info-text5">
<h3>TAI XIANGZHOU</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/XU BING.jpg" alt="" />
<div class="info-text5">
<h3>XU BING</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/JIN XING.jpg" alt="" />
<div class="info-text5">
<h3>JIN XING</h3>
</div>
</div>
</div>
</div>
</div>
<div id="2018_6" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>The Art & Culture panel will be themed around ‘Reinvention and Revival’. This panel is
specially designed for interdisciplinary discussions on Chinese art and culture, from the
perspective of all kinds of artists, including dancers, calligraphers, writers and painters. The
multi-cultural and multi-disciplinary backgrounds of our distinguished guests will hopefully
inject the discussions with vibrancy and refreshing ideas. The last one hundred years saw art
and culture in China challenged from multiple fronts. Whilst the influx of Western art and
aestheticism stimulated change and adaption, the growing economy and expanding market raised the
issue of commercialisation. Attempts were made to recovered the lost tradition, while
reinvention was also actively sought. <br /><br />In this panel discussion, we will be exploring
the transformation of Chinese art in the last century, the way it echoes with Western culture,
and the underlying social current that influenced the realm of art profoundly. We will also look
into the tension between materialism and idealism, and between westernisation and the
traditionalist approach.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed" data-toggle="collapse" data-target="#2018_7"
aria-expanded="false" aria-controls="2018_7">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>TECHNOLOGY</h5>
<h4>AI and the Future of Work</h4>
<h5></h5>
</div>
<div class="his-image_div">
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/DAN VAHDAT.jpg" alt="" />
<div class="info-text">
<h3>DAN VAHDAT</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/YIKE GUO.jpg" alt="" />
<div class="info-text">
<h3>YIKE GUO</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image3" src="assets/img/history/MICHAEL WOOLDRIDGE.jpg" alt="" />
<div class="info-text">
<h3>MICHAEL WOOLDRIDGE</h3>
</div>
</div>
</div>
</div>
</div>
<div id="2018_7" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>This year the technology panel will be exploring the topic ‘Artificial Intelligence and the
Future of Work’. AI is in the news almost every day. It has been described as ‘the new
electricity’, which will revolutionise industries from automotive to manufacturing to
healthcare. Cities are getting smarter, cars are driving themselves, online customer service
robots can answer questions and artificial intelligence is helping doctors to detect disease
more accurately. China has been taking a leading role in the development of AI. Last year China
received one third of the world's AI funding, published more articles on deep learning than the
US and grew to host 23% of the world's AI companies. Innovative products such as mobile
payments, e-commerce delivery, autonomous cars and the sharing economy are shaping China's
economy and driving rapid growth. <br /><br />We do not yet know how AI will affect the
workforce or the extent to which AI will come to shape our lives. Should we worry about
technological unemployment, the way John Maynard Keynes did in the 1930s or the Luddites did in
the 19th century? History would suggest that such concerns are foolhardy. What we do know is
that there is a stark difference in the Western and Eastern attitudes to AI which affect the way
AI is governed. An increasingly bipolar AI landscape will also have implications for
geopolitics. In this panel, we will discuss the frontier of China’s AI industry, attitudes to AI
in China and how AI might affect the global economy and balance of power.</p>
</div>
</div>
</div>
<!--End-->
<!--Start-->
<div class="card">
<div id="headingOne" class="collapsed" data-toggle="collapse" data-target="#2018_8"
aria-expanded="false" aria-controls="2018_8">
<div class=" card-header his-3" style="display:flex">
<div class="his-text">
<h5>ENTREPRENEURSHIP</h5>
<h4>The Long March of Entrepreneurs</h4>
<h5></h5>
</div>
<div class="his-image_div">
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/YONG KWEK PING.jpg" alt="" />
<div class="info-text5">
<h3>YONG KWEK PING</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/MU QING.jpg" alt="" />
<div class="info-text5">
<h3>MU QING</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/PING FAN.jpg" alt="" />
<div class="info-text5">
<h3>PING FAN</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/LI YONG.jpg" alt="" />
<div class="info-text5">
<h3>LI YONG</h3>
</div>
</div>
<div class="his-image_div speaker">
<img class="img-fluid his-image5" src="assets/img/history/COLIN YANG.jpg" alt="" />
<div class="info-text5">
<h3>COLIN YANG</h3>
</div>
</div>
</div>
</div>
</div>
<div id="2018_8" class="collapse" aria-labelledby="headingOne" data-parent="#accordion">
<div class="card-body">
<p>Ever since China’s economic reforms in the 1980s, the private sector has been playing an
increasingly crucial role in the country’s economy, resulting in a tremendous boost of its GDP
and immense transformation in Chinese people’s life. However, as manufacturing – the main engine
of China’s growth – seems to approach its ceiling, innovation now becomes the new crux of
entrepreneurship. While entrepreneurs embark upon this new stage of their long march, not only
need they keep up with technological development and changes in consumer mentality, but they
also have to deal with international competition, market rules and their social responsibility.
<br /><br />With speakers from backgrounds of venture capital, biotechnology, asset management
and media industry, the Entrepreneurship Panel will be looking into difficulties that fledgling
Chinese companies face in common and factors that contribute to their innovation. The panel will
also examine the role of entrepreneurship in social reforms and resources allocation, especially
in the light of the Chinese economy’s ‘new norm’.</p>
</div>
</div>
</div>
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